Research outputs
Selected research outputs
- I think I see the Mothership coming (Chapter - 2026)
- A Model of Pitch Retention in Extended Harmony; or, Drunk on Thundercat’s Common Tones (Journal article - 2026)
- Singing minstrels, recorders, and The Carnivalesque. Medievalist imagination in the progressive rock of Gentle Giant. (Chapter - 2025)
- Pastoral longing in popular music: From Skye to Tennessee (Chapter - 2021)
2026
I think I see the Mothership coming
Worth, R. (2026). I think I see the Mothership coming. In New Religions, Spiritualities, and Popular Music (pp. 135-149). Bloomsbury Academic. doi:10.5040/9781350500068.0014
A Model of Pitch Retention in Extended Harmony; or, Drunk on Thundercat’s Common Tones
Smith, K., & Worth, R. (2026). A Model of Pitch Retention in Extended Harmony; or, Drunk on Thundercat’s Common Tones. Journal of Music Theory, 70(1), 1-40. doi:10.1215/00222909-12263008
2025
Singing minstrels, recorders, and The Carnivalesque. Medievalist imagination in the progressive rock of Gentle Giant.
Worth, R. (2025). Singing minstrels, recorders, and The Carnivalesque. Medievalist imagination in the progressive rock of Gentle Giant.. In L. Burns, & C. Anderton (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination. Routledge.
2021
Pastoral longing in popular music: From Skye to Tennessee
Worth, R. (2021). Pastoral longing in popular music: From Skye to Tennessee. In J. Schofield, & L. Maloney (Eds.), Music and Heritage New Perspectives on Place-Making and Sonic Identity (pp. 26-35). Routledge.
2019
Léger Exibition (Performance)
Fairclough, M., & Worth, R. (2019, March 4). Léger Exibition (Performance) [Concert Performance]. Tate Gallery, Liverpool.