Research outputs
2026
St Augustine's Remorse
Crossley, J., Mombelli, C., Sweetman, J., Kollar, D., & Ahrends, K. (2026). St Augustine's Remorse [Audio Recording]. Retrieved from https://soundcloud.com/
Solace
Crossley, J., Ligeti, L., Kollar, D., & Henriksen, A. (2026). Solace [Audio Recording].
2025
Coalescence
Crossley, J., Harris, C., & Warrington, M. (2025). Coalescence [Audio Recording]. Retrieved from https://jonathancrossley1.bandcamp.com/album/coalescence
Collaboration, creativity and care: pedagogical approaches in a South African undergraduate electronic music module
Harris, C., & Crossley, J. (2025). Collaboration, creativity and care: pedagogical approaches in a South African undergraduate electronic music module. JOURNAL OF THE MUSICAL ARTS IN AFRICA, 22(1-2), 61-75. doi:10.2989/18121004.2025.2590364
Avallus
Crossley, J., & Branton, N. (2025). Avallus [Audio Recording]. Retrieved from https://nickbrantonandjonathancrossley.bandcamp.com/album/avallus
2024
Jonathan Crossley, David Kollar and Lukas Ligeti
Crossley, J., Kollar, D., & Lugeti, L. (2024, June 28). Jonathan Crossley, David Kollar and Lukas Ligeti [Live performance, audio and video recording]. University of Liverpool.
2023
Inhale: Live at World New Music Days, Cape Town
Crossley, J., & Horsten, N. (2023, December 2). Inhale: Live at World New Music Days, Cape Town [Live performance]. Cape Town, South Africa. Retrieved from https://www.newmusicsa.org.za/world-new-music-days-2023.html
The International Society for Contemporary Music, World New Music Days 2023. Premiere performance of 'These Pipes took us Nowhere'
Crossley, J. (2023, November 30). The International Society for Contemporary Music, World New Music Days 2023. Premiere performance of 'These Pipes took us Nowhere' [Live performance / compositon]. Johannesburg, South Africa.
Bree Street
Crossley, J. (2023). Bree Street. (No. Of Pieces: 5). [Audio Streaming]. Spotify and all streaming services. Retrieved from https://open.spotify.com/album/66h8w8hZfsaEYCwM95s6en?si=fSlNaMM7Q6KmF5W4aeBX9w
Iterative musical collaboration as palimpsest: Suite Inversée and The Headroom Project
Crossley, J. (2023). Iterative musical collaboration as palimpsest:Suite Inversée and The Headroom Project. In P. Guerra, & A. Oliveira (Eds.), https://doi.org/10.21747/9789899082298 Vol. 6 (pp. 283-290). Via Panorâmica, s/n, 4150-564, Porto, PORTUGAL: Universidade do Porto. Faculdade de Letras. doi:10.21747/9789899082298
Inhale - Live in Johannesburg, supported by Concerts SA
Jonathan, C., Nicholas, H., Carlo, M., Jonno, S., & Crossley, J. (2023, January 29). Inhale - Live in Johannesburg, supported by Concerts SA [Live performance, video streaming and recording]. Flame Studios, Constitution Hill, Johannesburg, South Africa. Retrieved from https://youtu.be/mRyFzyAAFG0
2022
Inhale
Crossley, J., & Horsten, N. (2022). Inhale. (No. Of Pieces: 9). [Audio streaming and vinyl]. Spotify, all other streaming and vinyl. Retrieved from https://open.spotify.com/album/7fFV3G5yPypLrmPomGpMgg?si=j2lA0J6RRdGw2muw1rvLYw
Keep it Simple, Make it Fast! An approach to underground music scenes
Guerra, P., & Sousa, S. (Eds.) (2022). Keep it Simple, Make it Fast! An approach to underground music scenes. In . Universidade do Porto. Faculdade de Letras. doi:10.21747/978-989-8969-41-5/kee
Crown Him 'Hymns From Around The World'
Crossley, J. (2022). Crown Him 'Hymns From Around The World'. (1 ed., No. Of Pieces: 10). [Audio streaming]. Spotify / all audio streaming: Every Nation Worship Rosebank. Retrieved from https://open.spotify.com/album/4EfD2VuOpt7ftypFvnwqKG?si=5OTsxpSiTaaHP-lx5tSKaQ
2021
Son0_morph:04 / Prayers and Laments
Crossley, J. (2021). Son0_morph:04 / Prayers and Laments. (No. Of Pieces: 6). [Audio streaming]. Spotify and all streaming. Retrieved from https://open.spotify.com/album/46H3PPmMn0u3IEbXW0A2oq?si=a2ZZIgocRMGZPailE_unkg
Son0_morph:03 duo
Crossley, J., & Harris, C. (2021). Son0_morph:03 duo. (1 ed., No. Of Pieces: 4). [Audio streaming]. Retrieved from https://jonathancrossley1.bandcamp.com/album/son0-morph-03-duo
Son-_morph:02 Duo / Piano
Crossley, J., & Tagg, K. (2021). Son-_morph:02 Duo / Piano. (No. Of Pieces: 4). [Audio streaming]. Retrieved from https://jonathancrossley1.bandcamp.com/album/son0-morph-02-duo-piano
son0_morph 01:trio
Crossley, J., Mombelli, C., & Sweetman, J. (2021). son0_morph 01:trio.
2020
Deep Spacer 433 Eros
Crossley, J., Cassarino, C., & Oosthuysen, E. (2020). Deep Spacer 433 Eros. (No. Of Pieces: 10). [Audio and video streaming]. The South African National Arts Festival, Spotify, YouTube, all audio streaming.. Retrieved from https://www.youtube.com/playlist?list=PLuOXoIE2rHJ3wyrWKiFG2sTGF4DT6r4NH
2018
Blipz
Crossley, J., Khota, R., & Sweetman, J. (2018). Blipz. (No. Of Pieces: 8). [Streaming audio]. https://open.spotify.com/album/3nre9IM0A6WGN4H4fUS2kA?si=2n4_3fBjQS2sV3s1SLy1Iw: Spotify. Retrieved from https://open.spotify.com/album/3nre9IM0A6WGN4H4fUS2kA?si=2n4_3fBjQS2sV3s1SLy1Iw
The Settlement
Crossley, J., & Molikeng, M. (2018). The Settlement. (No. Of Pieces: 7). [Audio and Video Streaming]. Retrieved from https://youtu.be/PpzLaOlMEZY?si=jnH_xKgJez_5SOLI
What if the Machines Spoke Back to You?
Crossley, J. (2018). What if the Machines Spoke Back to You?. (No. Of Pieces: 7). [Audio streaming]. Retrieved from https://open.spotify.com/album/2DimnSFfburnpekvSnEfUm?si=8SeVlGX1QwOVMMRMG2ILyA
2016
The Cyber-guitar system: nuance in instrumental practice as a motivation for immediacy within gestural controllers
Crossley, J. (2016). The Cyber-guitar system: nuance in instrumental practice as a motivation for immediacy within gestural controllers. In P. Guerra, & T. Moreira (Eds.), KISMIF Vol. 2 (pp. 296 pages). Porto: Universidade do Porto. Faculdade de Letras.