Research outputs
Selected research outputs
- Queer Voices: Technologies, Vocalities, and the Musical Flaw (Book - 2011)
- Watch my lips: the limits of camp in lip-syncing scenes (Chapter - 2018)
- Pitch fever: The castrato, the tenor and the question of masculinity in nineteenth-century opera (Chapter - 2013)
- High notes, high drama: musical climaxes and gender politics in tenor heroes and Broadway women (Chapter - 2017)
- SOUNDTRACK TO A STABBING: WHAT ROB’S CHOICE OF MUSIC OVER DINNER TELLS US ABOUT WHY HE ENDED UP SPILLING THE CUSTARD (Chapter - 2017)
2022
Operatic Adaptations and the Representation of Non-normative Sexualities
Jarman, F. L. (2018). Operatic Adaptations and the Representation of Non-normative Sexualities. In Oxford Handbook of Music and Queerness. New York: Oxford University Press. doi:10.1093/oxfordhb/9780199793525.013.55
2020
Vocal music
Jarman, F. (2020). Vocal music. In T. McAuley, N. Nielsen, & J. Levinson (Eds.), Oxford Handbook of Western Music and Philosophy. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780199367313.013.31
Popular Musicology and Identity, Essays in Honour of Stan Hawkins
Hansen, K. A., Askerøi, E., & Jarman, F. (2020). Popular Musicology and Identity, Essays in Honour of Stan Hawkins. Taylor & Francis. doi:10.4324/9780429451751
2019
Editorial
Jarman, F. (2019). Editorial. In Journal of the Royal Musical Association (Vol. 144, Iss. 2, pp. 237-238). doi:10.1080/02690403.2019.1651494
"Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul
Jarman, F. L., & Baker, E. (2019). "Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul. In S. Fast, & C. Jennex (Eds.), Popular Music and the Politics of Hope: Queer and Feminist Interventions. Routledge. Retrieved from https://www.routledge.com/
“Round my Hometown”: Listening to London in the Racial Politics of Post-Millennial British Soul
Jarman, F. L., & Baker, E. (2019). “Round my Hometown”: Listening to London in the Racial Politics of Post-Millennial British Soul. In S. Fast, & C. Jennex (Eds.), Popular Music and the Politics of Hope: Queer and Feminist Interventions (pp. 105-122). New York: Routledge. Retrieved from https://www.routledge.com/
“Round My Hometown”
Jarman, F., & Baker, E. (2019). “Round My Hometown”. In Popular Music and the Politics of Hope (pp. 105-122). Taylor & Francis. doi:10.4324/9781315165677-8
2018
Analyse This
Lowe, B., & Jarman, F. (2018). Analyse This. In The Routledge Companion to Popular Music Analysis (pp. 58-76). Taylor & Francis. doi:10.4324/9781315544700-5
Watch my lips: the limits of camp in lip-syncing scenes
Jarman, F. L. (2018). Watch my lips: the limits of camp in lip-syncing scenes. In C. Moore, & P. Purvis (Eds.), Music and Camp (pp. 95-117). Middletown, CT: Wesleyan University Press.
Operatic adaptations and the representation of non-normative sexualities
Jarman, F. (2018). Operatic adaptations and the representation of non-normative sexualities. In Oxford Handbook of Music and Queerness (pp. 167-184).
Analyse this types and tactics of self-referential songs
Lowe, B., & Jarman, F. (2018). Analyse this types and tactics of self-referential songs. In Routledge Companion to Popular Music Analysis Expanding Approaches (pp. 58-76). doi:10.4324/9781315544700
Watch my lips: The limits of camp in lip-syncing scenes
Jarman, F. (2018). Watch my lips: The limits of camp in lip-syncing scenes. In Music Camp (pp. 96-117).
2017
Introduction: Re-invention? Madonna's drowned worlds resurface
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Introduction: Re-invention? Madonna's drowned worlds resurface
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Introduction: Re-invention? Madonna's drowned worlds resurface
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Introduction: Voice, queer, technologies
Jarman-Ivens, F. (2017). Introduction: Voice, queer, technologies. In Music and Identity Politics (pp. 37-61).
Madonna's drowned worlds: New approaches to her cultural transformations, 1983-2003
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Madonna's drowned worlds: New approaches to her cultural transformations, 1983-2003. doi:10.4324/9781315091587
What it feels like for two girls: Madonna's play with lesbian (sub-)cultures
Jarman-Ivens, F. (2017). What it feels like for two girls: Madonna's play with lesbian (sub-)cultures. In Madonna S Drowned Worlds New Approaches to Her Cultural Transformations 1983 2003 (pp. 69-87). doi:10.4324/9781315091587-7
High notes, high drama: musical climaxes and gender politics in tenor heroes and Broadway women
Jarman, F. L. (2017). High notes, high drama: musical climaxes and gender politics in tenor heroes and Broadway women. In S. Hawkins (Ed.), Routledge Research Companion to Music and Gender (pp. 137-151). New York: Routledge. Retrieved from https://www.routledge.com/
High Notes, High Drama
Jarman, F. (2017). High Notes, High Drama. In The Routledge Research Companion to Popular Music and Gender (pp. 137-151). Taylor & Francis. doi:10.4324/9781315613437-13
SOUNDTRACK TO A STABBING: WHAT ROB’S CHOICE OF MUSIC OVER DINNER TELLS US ABOUT WHY HE ENDED UP SPILLING THE CUSTARD
Baker, E., & Jarman, F. (2017). SOUNDTRACK TO A STABBING: WHAT ROB’S CHOICE OF MUSIC OVER DINNER TELLS US ABOUT WHY HE ENDED UP SPILLING THE CUSTARD. In Custard Culverts and Cake Academics on Life in the Archers (pp. 385-403). doi:10.1108/978-1-78743-285-720171031
2016
Game and play in music video games
Jarman, F. L., & Kassabian, A. (2016). Game and play in music video games. In M. Kamp, M. Sweeney, & T. Summers (Eds.), Ludomusicology: Approaches to Video Game Music. Sheffield: Equinox.
Teaching music analysis to first-year undergraduates with radical subject-specific diversity
Jarman, F. (2016). Teaching music analysis to first-year undergraduates with radical subject-specific diversity. El oído pensante.
Notes on Musical Camp
Jarman-Ivens, F. (2016). Notes on Musical Camp. In Ashgate Research Companion to Popular Musicology (pp. 189-203). doi:10.4324/9781315613451-17
2013
Queer(ing) masculinities in heterosexist rap music
Jarman-Ivens, F. (2013). Queer(ing) masculinities in heterosexist rap music. In Queering the Popular Pitch (pp. 199-219). doi:10.4324/9780203036266
Notes on Musical Camp
Jarman-Ivens, F. (2009). Notes on Musical Camp. In ASHGATE RESEARCH COMPANION TO POPULAR MUSICOLOGY (pp. 189-203). Retrieved from https://www.webofscience.com/
Pitch fever: The castrato, the tenor and the question of masculinity in nineteenth-century opera
Jarman, F. (2013). Pitch fever: The castrato, the tenor and the question of masculinity in nineteenth-century opera. In Masculinity in Opera Gender History and New Musicology (pp. 51-66). doi:10.4324/9780203082928
Relax, Feel Good, Chillout: Distributing Classical Music for Affect
Jarman, F. (2013). Relax, Feel Good, Chillout: Distributing Classical Music for Affect. In M. Thompson, & I. Biddle (Eds.), Sound, Music, Affect: Theorizing Sonic Experience. London and New York: Bloomsbury Academic.
Relax, feel good, chill out: The affective distribution of classical music
Jarman, F. (2013). Relax, feel good, chill out: The affective distribution of classical music. In Sound, Music, Affect (pp. 183-204). Bloomsbury Academic. doi:10.5040/9781501382871.ch-011
“Don’t Cry, Daddy”: The degeneration of elvis presley’s musical masculinity
Jarman-Ivens, F. (2013). “Don’t Cry, Daddy”: The degeneration of elvis presley’s musical masculinity. In Oh Boy Masculinities and Popular Music (pp. 161-180). doi:10.4324/9780203941904
2012
Book Review: Masculinity and Western Musical Practice
Jarman-Ivens, F. (2012). Book Review: Masculinity and Western Musical Practice. Men and Masculinities, 15(3), 336-339. doi:10.1177/1097184x12438770
Learning Literacies through collaborative enquiry;
Ashley, J., Jarman, F., Varga-Atkins, T., & Hassan, N. (2012). Learning Literacies through collaborative enquiry;. Journal of Information Literacy, 6(1). doi:10.11645/6.1.1655
Masculinity and western musical practice
Biddle, I., & Gibson, K. (2012). Masculinity and western musical practice. Unknown Journal, 1.
Torch Song
Jarman-Ivens, F. (2012). Torch Song. doi:10.5040/9781501329203-0024334
2011
Coda: To Queer Or Not to Queer?
Jarman-Ivens, F. (2011). Coda: To Queer Or Not to Queer?. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 161-163). Retrieved from https://www.webofscience.com/
Diamanda Galas: One Long Mad Scene
Jarman-Ivens, F. (2011). Diamanda Galas: One Long Mad Scene. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 127-+). Retrieved from https://www.webofscience.com/
Identification: We Go to the Opera to Eat Voice
Jarman-Ivens, F. (2011). Identification: We Go to the Opera to Eat Voice. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 25-+). Retrieved from https://www.webofscience.com/
Introduction: Voice, Queer, Technologies
Jarman-Ivens, F. (2011). Introduction: Voice, Queer, Technologies. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 1-+). Retrieved from https://www.webofscience.com/
Karen Carpenter: America's Most Defiant Square
Jarman-Ivens, F. (2011). Karen Carpenter: America's Most Defiant Square. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 59-+). Retrieved from https://www.webofscience.com/
Maria Callas: Great Interpreter; Dysfunctional Vocalist
Jarman-Ivens, F. (2011). Maria Callas: Great Interpreter; Dysfunctional Vocalist. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 95-+). Retrieved from https://www.webofscience.com/
Queer Voices
Jarman-Ivens, F. (2011). Queer Voices. Palgrave Macmillan US. doi:10.1057/9780230119550
Queer Voices: Technologies, Vocalities, and the Musical Flaw
JarmanIvens, F. (2011). Queer Voices: Technologies, Vocalities, and the Musical Flaw. doi:10.1057/9780230119550
2010
Notes on musical camp
Jarman-Ivens, F. (2010). Notes on musical camp. In Ashgate Research Companion to Popular Musicology (pp. 189-203).
I feel a song coming on: vocal identification processes across musics and identities
Jarman, F. (2010). I feel a song coming on: vocal identification processes across musics and identities. Anglistica. Retrieved from http://www.anglistica.unior.it/content/music-and-performance-identity
2008
CHAPTER 7 The Musical Underbelly of Christmas
Jarman-Ivens, F. (2008). CHAPTER 7 The Musical Underbelly of Christmas. In Christmas, Ideology and Popular Culture (pp. 113-134). De Gruyter. doi:10.1515/9780748631872-010
The musical underbelly of Christmas
Jarman-Ivens, F. (2008). The musical underbelly of Christmas. In S. Whiteley (Ed.), Christmas, Ideology, and Popular Culture (pp. xxx). Edinburgh: Edinburgh University Press.
2007
Oh Boy!, Masculinities and Popular Music
Oh Boy!, Masculinities and Popular Music (2013). . Taylor & Francis. doi:10.4324/9780203941904
You're not really t/here: authorship, nostalgia, and the absent 'Superstar'
Jarman-Ivens, F. (2007). You're not really t/here: authorship, nostalgia, and the absent 'Superstar'. Popular Musicology Online. Retrieved from http://www.popular-musicology-online.com/issues/05/jarman-ivens-01.html
2006
Breaking Voices: Voice, Subjectivity and Fragmentation in Popular Music
Jarman-Ivens, F. (2006). Breaking Voices: Voice, Subjectivity and Fragmentation in Popular Music. (PhD Thesis, The University of Newcastle-upon-Tyne).
Queer(ing) masculinities in heterosexist rap music
Jarman-Ivens, F. (2006). Queer(ing) masculinities in heterosexist rap music. In J. Rycenga, & S. Whiteley (Eds.), Queering the Popular Pitch (pp. 20). London/New York: Routledge.
2004
Madonna's Drowned Worlds, New Approaches to her Cultural Transformations, 1983–2003
Fouz-Hernandez, S. (2017). Madonna's Drowned Worlds, New Approaches to her Cultural Transformations, 1983–2003. Taylor & Francis. doi:10.4324/9781315091587
What it feels like for two girls: Madonna's play with lesbian (sub-)cultures
Jarman-Ivens, F. (2004). What it feels like for two girls: Madonna's play with lesbian (sub-)cultures. In S. Fouz-Hernández, & F. Jarman-Ivens (Eds.), Madonna's Drowned Worlds: New Approaches to her Subcultural Transformations, 1983-2003 (pp. 18). Aldershot: Ashgate.