Research outputs
2024
Imagining Alternative Histories of Britain and Northern Ireland. British Fictions and Fictional Britains.
Mahoney, C. (n.d.). Imagining Alternative Histories of Britain and Northern Ireland. British Fictions and Fictional Britains.. London: Routledge.
2023
'It may Be Where the Future of Independent Production Is Happening': Netflix and Indie Aesthetics in GLOW
Mahoney, C. (2023). 'It may Be Where the Future of Independent Production Is Happening': Netflix and Indie Aesthetics in GLOW. In I. Tzioumakis, & J. Lyons (Eds.), Indie TV. Routledge.
2022
History and Place in Television Drama: Liverpool in <i>Cilia</i> and <i>Boys</i> <i>From the Blackstuff</i>
Mahoney, C. (2022). History and Place in Television Drama: Liverpool in <i>Cilia</i> and <i>Boys</i> <i>From the Blackstuff</i>. CRITICAL STUDIES IN TELEVISION, 17(4), 397-414. doi:10.1177/17496020221110362
Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram
Mahoney, C. (2020). Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram. Feminist Media Studies, 1-17. doi:10.1080/14680777.2020.1810732
2021
'We will meet again': Mobilising prosthetic memories of the Second World War during the UK Covid-19 Lockdown
Mahoney, C. (2021). 'We will meet again': Mobilising prosthetic memories of the Second World War during the UK Covid-19 Lockdown. In Covid 19 the Second World War and the Idea of Britishness (pp. 247-269).
2019
Women in Neoliberal Postfeminist Television Drama Representing Gendered Experiences of the Second World War
Mahoney, C. (2019). Women in Neoliberal Postfeminist Television Drama Representing Gendered Experiences of the Second World War. Palgrave Pivot. doi:10.1007/978-3-030-30449-2
<i>Home Fires</i>: Deconstructing the Domestic Ideal
Mahoney, C. (2019). <i>Home Fires</i>: Deconstructing the Domestic Ideal. In WOMEN IN NEOLIBERAL POSTFEMINIST TELEVISION DRAMA: REPRESENTING GENDERED EXPERIENCES OF THE SECOND WORLD WAR (pp. 101-129). doi:10.1007/978-3-030-30449-2_5
<i>Marvel</i>'<i>s Agent Carter</i>: [Peggy Punches Him in the Face]
Mahoney, C. (2019). <i>Marvel</i>'<i>s Agent Carter</i>: [Peggy Punches Him in the Face]. In WOMEN IN NEOLIBERAL POSTFEMINIST TELEVISION DRAMA: REPRESENTING GENDERED EXPERIENCES OF THE SECOND WORLD WAR (pp. 71-100). doi:10.1007/978-3-030-30449-2_4
Finding a Feminine Space in Female Ensemble Drama: Postfeminist Visions of Female Liberation in <i>Land Girls</i>
Mahoney, C. (2019). Finding a Feminine Space in Female Ensemble Drama: Postfeminist Visions of Female Liberation in <i>Land Girls</i>. In WOMEN IN NEOLIBERAL POSTFEMINIST TELEVISION DRAMA: REPRESENTING GENDERED EXPERIENCES OF THE SECOND WORLD WAR (pp. 21-44). doi:10.1007/978-3-030-30449-2_2
Relative Tensions
Mahoney, C. (2019). Relative Tensions. In WOMEN IN NEOLIBERAL POSTFEMINIST TELEVISION DRAMA: REPRESENTING GENDERED EXPERIENCES OF THE SECOND WORLD WAR (pp. 1-20). doi:10.1007/978-3-030-30449-2_1
The Horror of Transgressive Femininity in <i>The Bletchley Circle</i>
Mahoney, C. (2019). The Horror of Transgressive Femininity in <i>The Bletchley Circle</i>. In WOMEN IN NEOLIBERAL POSTFEMINIST TELEVISION DRAMA: REPRESENTING GENDERED EXPERIENCES OF THE SECOND WORLD WAR (pp. 45-69). doi:10.1007/978-3-030-30449-2_3
2017
The Women's Land Army Remembered on British Television
Mahoney, C. (2017). The Women's Land Army Remembered on British Television. In J. Boyce Kay, C. Mahoney, & C. Shaw (Eds.), The Past in Visual Culture: Essays on Memory, Nostalgia and the Media (pp. 46-63). Jefferson: McFarland. Retrieved from https://mcfarlandbooks.com/product/the-past-in-visual-culture/
2016
The Past in Visual Culture Essays on Memory, Nostalgia and the Media
Kay, J. B., Mahoney, C., & Shaw, C. (2016). The Past in Visual Culture Essays on Memory, Nostalgia and the Media. McFarland.
2015
‘Not Bad for a Few Ordinary Girls in a Tin Hut’ - Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama.
Mahoney, C. (2015). ‘Not Bad for a Few Ordinary Girls in a Tin Hut’ - Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama.. Frames Cinema Journal. Retrieved from https://framescinemajournal.com/