Research outputs
2026
Rediscovered Late Upper Palaeolithic Painted Imagery at Bacon Hole, Gower Peninsula, South Wales
Nash, G. H., Collado, H., Gomes, H., Garcês, S., Lattao, V., Rosina, P., . . . Shao, Q. (2026). Rediscovered Late Upper Palaeolithic Painted Imagery at Bacon Hole, Gower Peninsula, South Wales. Quaternary, 9(3). doi:10.3390/quat9030043
2025
Early stages of Palaeolithic rock art in southern Iberia. Malaga area
Duarte, P. C., Rodríguez, L. E. F., Giraldo, H. C., Weniger, G. C., del Mar Espejo Herrerías, M., Fernández-Sánchez, D., . . . Ramos-Muñoz, J. (2025). Early stages of Palaeolithic rock art in southern Iberia. Malaga area. Complutum, 36(2), 371-401. doi:10.5209/cmpl.105649
New Upper Palaeolithic Rock Art Complex in the Tejo Valley, Central Portugal
Pereira, T., Garcês, S., Danelatos, D., Collado Giraldo, H., Nash, G. H., Adewumi, O. L., . . . Oosterbeek, L. (2025). New Upper Palaeolithic Rock Art Complex in the Tejo Valley, Central Portugal. Journal of Paleolithic Archaeology, 8(1). doi:10.1007/s41982-025-00211-8
Art in red: New dates for paintings in the Cave of Altamira, Santillana del Mar, Spain
Shao, Q., Heras, C. D. L., Prada, A., Fatás, P., Díaz-González, L. M., Ordás, D., . . . Collado Giraldo, H. (2025). Art in red: New dates for paintings in the Cave of Altamira, Santillana del Mar, Spain. Journal of Archaeological Science, 179. doi:10.1016/j.jas.2025.106235
2024
New Upper Palaeolithic rock art complex in the Tejo Valley, Central Portugal
2023
GIS Applications in Rock Art
Garcês, S., Danelatos, D., Anastácio, R. F., & Nash, G. (2023). GIS Applications in Rock Art. In The Prehistoric Rock Art of Portugal (pp. 346-363). Taylor & Francis. doi:10.4324/9780429321900-16
Philosophical Mechanics of an Engraved Horse
Nash, G., & Garcês, S. (2023). Philosophical Mechanics of an Engraved Horse. In The Prehistoric Rock Art of Portugal (pp. 85-107). Taylor & Francis. doi:10.4324/9780429321900-5
Picturing in Western Iberian Neolithic Dolmens
Nash, G. (2023). Picturing in Western Iberian Neolithic Dolmens. In The Prehistoric Rock Art of Portugal (pp. 244-276). Taylor & Francis. doi:10.4324/9780429321900-12
2022
Identification of organic material in Los Buitres 1 rock art shelter, Badajoz, Spain.
Garcês, S., Collado, H., Rosina, P., Gomes, H., Nash, G., Nicoli, M., & Vaccaro, C. (2022). Identification of organic material in Los Buitres 1 rock art shelter, Badajoz, Spain.. Complutum, 33(2), 347-361. doi:10.5209/cmpl.84153
Identifying changing ideologies: Rock art on and around Neolithic burial monuments in Wales
Nash, G. H. (2022). Identifying changing ideologies: Rock art on and around Neolithic burial monuments in Wales. In Abstractions Based on Circles Papers on Prehistoric Rock Art Presented to Stan Beckensall on His 90th Birthday (pp. 25-36).
A reappraisal of the Cronk yn how stone, Isle of Man
Nash, G. (2022). A reappraisal of the Cronk yn how stone, Isle of Man. In Signalling and Performance Ancient Rock Art in Britain and Ireland (pp. 191-211). doi:10.2307/j.ctv2ws5384.11
A wirral enigma: Understanding the origins of the willaston stones
Cowell, R., Nash, G., & Stewart, E. (2022). A wirral enigma: Understanding the origins of the willaston stones. In Signalling and Performance Ancient Rock Art in Britain and Ireland (pp. 169-190).
Introduction: Recording and interpreting the ancient rock art of Britain and Ireland
Mazel, A., & Nash, G. (2022). Introduction: Recording and interpreting the ancient rock art of Britain and Ireland. In Signalling and Performance Ancient Rock Art in Britain and Ireland (pp. 1-9).
Las manifestaciones gráficas prehistóricas en el dolmen de Soto (Trigueros, Huelva)
Garcês, S., Giraldo, H. C., Arranz, J. J. G., Nash, G., Rosina, P., Gomes, H., . . . Pepi, S. (2022). Las manifestaciones gráficas prehistóricas en el dolmen de Soto (Trigueros, Huelva). JSTOR. doi:10.2307/j.ctv2ws5342
Signalling and performance: Ancient rock art in Britain and Ireland
Mazel, A., & Nash, G. (2022). Signalling and performance: Ancient rock art in Britain and Ireland.
The discovery of Late Upper Palaeolithic rock art at Cathole Cave on the Gower Peninsula, South Wales
Nash, G. (2022). The discovery of Late Upper Palaeolithic rock art at Cathole Cave on the Gower Peninsula, South Wales. In Signalling and Performance Ancient Rock Art in Britain and Ireland (pp. 297-315). doi:10.2307/j.ctv2ws5384.16
Confusion and solution: Providing a desk-based approach for the management of rock art
Nash, G. (2022). Confusion and solution: Providing a desk-based approach for the management of rock art. In Global Perspectives for the Conservation and Management of Open Air Rock Art Sites (pp. 117-140). doi:10.4324/9780429355349-9
DATING PRE-HISTORIC PAINTED FIGURES FROM THE SERRA DA CAPIVARA NATIONAL PARK, PIAUÍ, BRAZIL
Rosina, P., Garcês, S., Gomes, H., Nash, G. H., Guidon, N., Dos Santos, T., . . . Vaccaro, C. (2022). DATING PRE-HISTORIC PAINTED FIGURES FROM THE SERRA DA CAPIVARA NATIONAL PARK, PIAUÍ, BRAZIL. Rock Art Research, 39(1), 41-51.
2021
Contextualising megalithic rock art on Neolithic chambered tombs: A Welsh perspective
Nash, G. (2021). Contextualising megalithic rock art on Neolithic chambered tombs: A Welsh perspective. In Indigenous Heritage and Rock Art Worldwide Research in Memory of Daniel Arsenault (pp. 14-31).
Indigenous heritage and rock art: Worldwide research in memory of Daniel Arsenault
Charette, C., Mazel, A., & Nash, G. (2021). Indigenous heritage and rock art: Worldwide research in memory of Daniel Arsenault.
Introduction
Charette, C., Mazel, A., & Nash, G. (2021). Introduction. In Indigenous Heritage and Rock Art Worldwide Research in Memory of Daniel Arsenault (pp. viii-xi).
Understanding landscape composition without rock art: A study of panel/canvas behaviour in the Valcamonica, Lombardy, Northern Italy
Nash, G. (2021). Understanding landscape composition without rock art: A study of panel/canvas behaviour in the Valcamonica, Lombardy, Northern Italy. In Indigenous Heritage and Rock Art Worldwide Research in Memory of Daniel Arsenault (pp. 32-42).
2020
Ambiguity and shifting standards: Identifying heritage protection failure within the English planning system
Nash, G., & Malim, T. (2020). Ambiguity and shifting standards: Identifying heritage protection failure within the English planning system. In Old Oswestry Hillfort and Its Landscape Ancient Past Uncertain Future (pp. 205-2187).
European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism
Nash, G. (2020). European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism. In Encyclopedia of Global Archaeology (pp. 4128-4138). Springer Nature. doi:10.1007/978-3-030-30018-0_1860
Megalithic Art: A Visual Repertoire for the Dead
Nash, G. (2020). Megalithic Art: A Visual Repertoire for the Dead. In Encyclopedia of Global Archaeology (pp. 1-12). Springer Nature. doi:10.1007/978-3-319-51726-1_1525-2
Megalithic Art: A Visual Repertoire for the Dead
Nash, G. (2020). Megalithic Art: A Visual Repertoire for the Dead. In Encyclopedia of Global Archaeology (pp. 6967-6978). Springer Nature. doi:10.1007/978-3-030-30018-0_1525
Nash, George
Nash, G. (2020). Nash, George. In Encyclopedia of Global Archaeology (pp. 7610-7611). Springer Nature. doi:10.1007/978-3-030-30018-0_2393
O projeto FIRST-ART – conservação, documentação e gestão das primeiras manifestações de arte rupestre no Sudoeste da Península Ibérica: as grutas do Escoural e Maltravieso.
Garcês, S., Collado, H., Arranz, J. J. G., Oosterbeek, L., Silva, A. C., Rosina, P., . . . Carpetudo, C. (2020). O projeto FIRST-ART – conservação, documentação e gestão das primeiras manifestações de arte rupestre no Sudoeste da Península Ibérica: as grutas do Escoural e Maltravieso.. In Arqueologia em Portugal 2020 - Estado da Questão - Textos (pp. 513-521). Universidade do Porto, Faculdade de Letras. doi:10.21747/978-989-8970-25-1/arqa40
Old Oswestry Hillfort and its Landscape: Ancient Past, Uncertain Future
Malim, T., & Nash, G. (2020). Old Oswestry Hillfort and its Landscape: Ancient Past, Uncertain Future.
Palace of the Boyne (Brú na Bóinne)
Nash, G. (2020). Palace of the Boyne (Brú na Bóinne). In Encyclopedia of Global Archaeology (pp. 8272-8278). Springer Nature. doi:10.1007/978-3-030-30018-0_2147
Preface: Old Oswestry - 80 years on
Malim, T., & Nash, G. (2020). Preface: Old Oswestry - 80 years on. Old Oswestry Hillfort and Its Landscape Ancient Past Uncertain Future, v-vi.
2019
Aesthetics, applications, artistry and anarchy: Essays in prehistoric and contemporary art: A festschrift in honour of John Kay Clegg, 11 january 1935 - 11 march 2015
Huntley, J., & Nash, G. (2019). Aesthetics, applications, artistry and anarchy: Essays in prehistoric and contemporary art: A festschrift in honour of John Kay Clegg, 11 january 1935 - 11 march 2015. doi:10.2307/j.ctvndv846
Breaking all the house rules: The politics and grammar of disrespecting contemporary graffiti
Nash, G. (2019). Breaking all the house rules: The politics and grammar of disrespecting contemporary graffiti. In Aesthetics Applications Artistry and Anarchy Essays in Prehistoric and Contemporary Art A Festschrift in Honour of John Kay Clegg 11 January 1935 11 March 2015 (pp. 129-140). doi:10.2307/j.ctvndv846.15
New Insights into Timber-Framing in Shropshire: Findings from the Tilley Timber Project
Moir, A., Nash, G., & Reid, A. (2019). New Insights into Timber-Framing in Shropshire: Findings from the Tilley Timber Project. Vernacular Architecture, 50(1), 40-52. doi:10.1080/03055477.2019.1666638
2018
A discovery of possible upper palaeolithic parietal art in cathole cave, Gower Peninsula, South Wales
Nash, G., van Calsteren, P., Thomas, L., & Simms, M. J. (2018). A discovery of possible upper palaeolithic parietal art in cathole cave, Gower Peninsula, South Wales. In Narratives and Journeys in Rock Art A Reader (pp. 459-468). doi:10.2307/j.ctvndv90q.28
Archaeologies of rock art: South American perspectives
Troncoso, A., Armstrong, F., & Nash, G. (2018). Archaeologies of rock art: South American perspectives. doi:10.4324/9781315232782
Contemporary approaches to rock art in South America: Introductory remarks
Troncoso, A., Armstrong, F., & Nash, G. (2018). Contemporary approaches to rock art in South America: Introductory remarks. In Archaeologies of Rock Art South American Perspectives (pp. 1-19). doi:10.4324/9781315232782
European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism
Nash, G. (2018). European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism. In Encyclopedia of Global Archaeology (pp. 1-11). Springer Nature. doi:10.1007/978-3-319-51726-1_1860-2
Introduction
Nash, G., & Mazel, A. (2018). Introduction. Narratives and Journeys in Rock Art A Reader, v-xiv. doi:10.2307/j.ctvndv90q.3
Narratives and journeys in rock art: A Reader
Nash, G., & Mazel, A. (2018). Narratives and journeys in rock art: A Reader. doi:10.2307/j.ctvndv90q
Nash, George
Nash, G. (2018). Nash, George. In Encyclopedia of Global Archaeology (pp. 1-3). Springer Nature. doi:10.1007/978-3-319-51726-1_2393-2
On-site and post-site analysis of pictographs within the san pedro viejo de pichasca rock shelter, limarí valley, north-central Chile
Moya, F., Armstrong, F., Basile, M., Nash, G., Troncoso, A., & Vergara, F. (2018). On-site and post-site analysis of pictographs within the san pedro viejo de pichasca rock shelter, limarí valley, north-central Chile. In Narratives and Journeys in Rock Art A Reader (pp. 673-684). doi:10.2307/j.ctvndv90q.38
Palace of the Boyne (Brú na Bóinne)
Nash, G. (2018). Palace of the Boyne (Brú na Bóinne). In Encyclopedia of Global Archaeology (pp. 1-7). Springer Nature. doi:10.1007/978-3-319-51726-1_2147-2
Serra da Capivara (north-east Brazil) and the Limarí Basin (Chile): A tale of two rock art landscapes
Nash, G. (2018). Serra da Capivara (north-east Brazil) and the Limarí Basin (Chile): A tale of two rock art landscapes. In Archaeologies of Rock Art South American Perspectives (pp. 150-176). doi:10.4324/9781315232782
Signposts in the landscape: Marks and identity among the negev highland bedouin
Eisenberg-Degen, D., Schmidt, J., & Nash, G. H. (2018). Signposts in the landscape: Marks and identity among the negev highland bedouin. Nomadic Peoples, 22(2), 195-221. doi:10.3197/np.2018.220203
2017
Editorial to the special issue on rock art in arid environments
Eisenberg-Degen, D., Goldfus, H., & Nash, G. H. (2017). Editorial to the special issue on rock art in arid environments. Journal of Arid Environments, 143, 1-3. doi:10.1016/j.jaridenv.2017.04.011
Foot/sandal prints and ovaliods in the rock art assemblage Ramat Matred, the Negev Desert, Israel
Eisenberg-Degen, D., & Nash, G. H. (2017). Foot/sandal prints and ovaliods in the rock art assemblage Ramat Matred, the Negev Desert, Israel. Journal of Arid Environments, 143, 50-56. doi:10.1016/j.jaridenv.2016.11.007
The socio-ritual organisation of the upper Limarí Valley: Two rock art traditions, one landscape
Nash, G., & Troncoso, A. (2017). The socio-ritual organisation of the upper Limarí Valley: Two rock art traditions, one landscape. Journal of Arid Environments, 143, 15-21. doi:10.1016/j.jaridenv.2016.11.014
Missing the point: Dr. George Nash responds
Nash, G. H. (2017). Missing the point: Dr. George Nash responds. Time and Mind, 10(2), 219-221. doi:10.1080/1751696X.2017.1331525
The relevance of watery soundscapes in a ritual context
Garcês, S., & Nash, G. (2017). The relevance of watery soundscapes in a ritual context. Time and Mind, 10(1), 69-80. doi:10.1080/1751696X.2016.1267917
Art and environment: How can rock art inform on past environments?
Nash, G. (2017). Art and environment: How can rock art inform on past environments?. In Oxford Handbook of the Archaeology and Anthropology of Rock Art (pp. 411-433). doi:10.1093/oxfordhb/9780190607357.013.9
The reuse of materials during the medieval and post-medieval periods: A case study of recycling building materials in rothwell, near leeds, England
Nash, G. (2017). The reuse of materials during the medieval and post-medieval periods: A case study of recycling building materials in rothwell, near leeds, England. In Working with the Past Towards an Archaeology of Recycling (pp. 111-133). doi:10.2307/j.ctv17db2vk.15
2016
New over old: an image-based reassessment of Le Déhus passage grave’s ‘Le Gardien du Tombeau’, Guernsey
Jelly, K., & Nash, G. (2016). New over old: an image-based reassessment of Le Déhus passage grave’s ‘Le Gardien du Tombeau’, Guernsey. Time and Mind, 9(3), 245-265. doi:10.1080/1751696X.2016.1207899
The Curious Case of St Caffo’s Church, Anglesey, Wales
Devereux, P., Jones, I., & Nash, G. (2016). The Curious Case of St Caffo’s Church, Anglesey, Wales. Time and Mind, 9(2), 159-166. doi:10.1080/1751696x.2016.1171498
Inscribing History
Eisenberg-Degen, D., Nash, G. H., & Schmidt, J. (2016). Inscribing History. In Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance (pp. 157-187). University Press of Colorado. doi:10.5876/9781607324980.c008
Inscribing history: The complex geographies of Bedouin tribal symbols in the Negev Desert, southern Israel
Eisenberg-Degen, D., Nash, G. H., & Schmidt, J. (2016). Inscribing history: The complex geographies of Bedouin tribal symbols in the Negev Desert, southern Israel. In Relating to Rock Art in the Contemporary World Navigating Symbolism Meaning and Significance (pp. 157-187).
2015
Art and intimacy within the prehistoric landscapes of Norway: how hunter/fisher/gatherers organised their ritual and political worlds through art
Nash, G., & Smiseth, M. T. (2015). Art and intimacy within the prehistoric landscapes of Norway: how hunter/fisher/gatherers organised their ritual and political worlds through art. In Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes (pp. 31-45).
Pigment in western Iberian schematic rock art: An analytical approach
Gomes, H., Collado, H., Martins, A., Nash, G. H., Rosina, P., Vaccaro, C., & Volpe, L. (2015). Pigment in western Iberian schematic rock art: An analytical approach. Mediterranean Archaeology and Archaeometry, 15(1), 163-175.
2014
Indications of an Acoustic Landscape at Bryn Celli Ddu, Anglesey, North Wales
Devereux, P., & Nash, G. (2014). Indications of an Acoustic Landscape at Bryn Celli Ddu, Anglesey, North Wales. Time and Mind, 7(4), 385-390. doi:10.1080/1751696x.2014.980139
Hunting and Gender as Reflected in the Central Negev Rock Art, Israel
Eisenberg-Degen, D., & Nash, G. (2014). Hunting and Gender as Reflected in the Central Negev Rock Art, Israel. Time and Mind, 7(3), 259-277. doi:10.1080/1751696x.2014.956009
Dating beeswax pictograms from Gode Roriso in Ethiopia
Rosina, P., Gomes, H., Nash, G. H., & Solomon, T. (2014). Dating beeswax pictograms from Gode Roriso in Ethiopia. Journal of Archaeological Science, 49(1), 206-212. doi:10.1016/j.jas.2014.05.013
European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism
Nash, G. (2014). European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism. In Encyclopedia of Global Archaeology (pp. 2694-2704). doi:10.1007/978-1-4419-0465-2_1860
Megalithic Art: A Visual Repertoire for the Dead
Nash, G. (2014). Megalithic Art: A Visual Repertoire for the Dead. In Encyclopedia of Global Archaeology (pp. 4758-4769). doi:10.1007/978-1-4419-0465-2_1525
Nash, George
Nash, G. (2014). Nash, George. In Encyclopedia of Global Archaeology (pp. 5142-5144). doi:10.1007/978-1-4419-0465-2_2393
Palace of the Boyne (Brú na Bóinne)
Nash, G. (2014). Palace of the Boyne (Brú na Bóinne). In Encyclopedia of Global Archaeology (pp. 5727-5734). doi:10.1007/978-1-4419-0465-2_2147
2013
Aspect, architecture, and art: The passage grave tradition of Northwest Britain
Nash, G. (2013). Aspect, architecture, and art: The passage grave tradition of Northwest Britain. Time and Mind, 6(2), 199-210. doi:10.2752/175169713X13589680081858
2012
Replicating Cultural Landscapes: Interpreting Rock-art in the Valcamonica, Lombardy, Italy
Nash, G. (2012). Replicating Cultural Landscapes: Interpreting Rock-art in the Valcamonica, Lombardy, Italy. Landscapes, 12(2), 1-19. doi:10.1179/lan.2012.12.2.1
Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe
Nash, G. (2012). Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe. In A Companion to Rock Art (pp. 125-142). doi:10.1002/9781118253892.ch8
A date for the newly discovered Welsh rock art
Nash, G. (2012). A date for the newly discovered Welsh rock art. Time and Mind, 5(1), 99. doi:10.2752/175169712X13182754067502
Mechanisms of production and exchange: Early prehistoric perforated bead production and use in Southwest Wales
Nash, G. (2012). Mechanisms of production and exchange: Early prehistoric perforated bead production and use in Southwest Wales. Time and Mind, 5(1), 73-83. doi:10.2752/175169712X13195388365036
Pomp and circumstance: Archaeology, modernity and the corporatisation of death: Early social and political victorian attitudes towards burial practice
Nash, G. (2012). Pomp and circumstance: Archaeology, modernity and the corporatisation of death: Early social and political victorian attitudes towards burial practice. In Matter Materiality and Modern Culture (pp. 112-130). doi:10.4324/9780203351635-13
2011
Replicating Cultural Landscapes: Interpreting Rock-art in the Valcamonica, Lombardy, Italy
Nash, G. (2011). Replicating Cultural Landscapes: Interpreting Rock-art in the Valcamonica, Lombardy, Italy. Landscapes, 12(2), 1-19. doi:10.1179/lan.2011.12.2.1
Marks of sanctity? Discovery of rock art on the Gower Peninsula, South Wales
Nash, G., van Calsteren, P., & Thomas, L. (2011). Marks of sanctity? Discovery of rock art on the Gower Peninsula, South Wales. Time and Mind, 4(2), 149-154. doi:10.2752/175169711X12961583765216
Full of eastern European promise: Upper Paleolithic parietal art found in Coliboaia cave, Romania
Nash, G. (2011). Full of eastern European promise: Upper Paleolithic parietal art found in Coliboaia cave, Romania. Time and Mind, 4(1), 99-102. doi:10.2752/175169609X12464529903335
Seeking, finding and hiding: A recent neolithic burial-ritual rock art discovery in Northern Sardinia
Arosio, P., Meozzi, D., & Nash, G. (2011). Seeking, finding and hiding: A recent neolithic burial-ritual rock art discovery in Northern Sardinia. Time and Mind, 4(1), 31-41. doi:10.2752/175169711X12893985693595
2010
Review: Ines Domingo Sanz, Ester Lopez Montalvo, Valentin Villaverde Borilla and Rafael Martinez Valle, Los Abrigos VII, VIII, y IX de Les Coves de la Saltadora. (Valencia: Monografias del Instituto de Arte Rupestre 2, 2007, 214 pp, illustr., hbk, ISBN 978 84 482 4845 1)
Nash, G. (2010). Review: Ines Domingo Sanz, Ester Lopez Montalvo, Valentin Villaverde Borilla and Rafael Martinez Valle, Los Abrigos VII, VIII, y IX de Les Coves de la Saltadora. (Valencia: Monografias del Instituto de Arte Rupestre 2, 2007, 214 pp, illustr., hbk, ISBN 978 84 482 4845 1). European Journal of Archaeology, 13(3), 392-394. doi:10.1177/14619571100130030603
Recent excavation and recording program at the Llwydiarth Esgob Stone, Llandyfrydog, Anglesey, north Wales
Nash, G., George, A., Stanford, A., & Wellicome, T. (2010). Recent excavation and recording program at the Llwydiarth Esgob Stone, Llandyfrydog, Anglesey, north Wales. Rock Art Research, 27(2), 257-260.
The Environmental and Social Context of the Isleham Hoard
Malim, T., Boreham, S., Knight, D., Nash, G., Preece, R., & Schwenninger, J. L. (2010). The Environmental and Social Context of the Isleham Hoard. Antiquaries Journal, 90(2), 73-130. doi:10.1017/S0003581509990485
Vernacular architecture as a model for contemporary design
Creangă, E., Ciotoiu, I., Gheorghiu, D., & Nash, G. (2010). Vernacular architecture as a model for contemporary design. In WIT Transactions on Ecology and the Environment Vol. 1 (pp. 157-171). WITPRESS LTD.. doi:10.2495/arc100141
Graffiti-art: Can it hold the key to the placing of prehistoric rock-art?
Nash, G. (2010). Graffiti-art: Can it hold the key to the placing of prehistoric rock-art?. Time and Mind, 3(1), 41-62. doi:10.2752/175169710X12549020810452
Aesthetics and Rock Art, IIIrd Symposium
Nash, G. (2010). Aesthetics and Rock Art, IIIrd Symposium. Time and Mind, 3(3), 331-333. doi:10.2752/175169610x12754030956057
Cognitive Archaeology as Symbolic Archaeology
Nash, G. (2010). Cognitive Archaeology as Symbolic Archaeology. Time and Mind, 3(2), 229-231. doi:10.2752/175169610x12632240392992
Inés Domingo Sanz, Ester López Montalvo, Valentín Villaverde Borilla and Rafael Martínez Valle, Los Abrigos VII, VIII, y IX de Les Coves de la Saltadora (València: Monografías del Instituto de Arte Rupestre 2, 2007, 214 pp, illustr., hbk, ISBN 978 84 482 4845 1)
Nash, G. (2010). Inés Domingo Sanz, Ester López Montalvo, Valentín Villaverde Borilla and Rafael Martínez Valle, Los Abrigos VII, VIII, y IX de Les Coves de la Saltadora (València: Monografías del Instituto de Arte Rupestre 2, 2007, 214 pp, illustr., hbk, ISBN 978 84 482 4845 1). European Journal of Archaeology, 13(3), 392-394. doi:10.1179/eja.2010.13.3.392
2009
New megalithic art at the Neolithic chambered monument of Dyffryn Ardudwy, north Wales
Nash, G., & Stanford, A. (2009). New megalithic art at the Neolithic chambered monument of Dyffryn Ardudwy, north Wales. Rock Art Research, 26(1), 101-105.
2008
Erika Gál.. Fowling in Lowlands: Neolithic and Chalcolithic bird exploitation in South-East Romania and the Great Hungarian Plain (Archaeolingua Series Minor 24). 149 pages, b&w & colour illustrations. 2007. Budapest: Archaeolingua Alapítvány; 978-963-8046-85-7 paperback €28.
Nash, G. (2008). Erika Gál.. Fowling in Lowlands: Neolithic and Chalcolithic bird exploitation in South-East Romania and the Great Hungarian Plain (Archaeolingua Series Minor 24). 149 pages, b&w & colour illustrations. 2007. Budapest: Archaeolingua Alapítvány; 978-963-8046-85-7 paperback €28.. Antiquity, 82(317), 800-801. doi:10.1017/s0003598x00097519
A Philosophy of Gardens
Nash, G. (2008). A Philosophy of Gardens. Time and Mind, 1(2), 257-259. doi:10.2752/175169708x309897
Book Review
Taçon, P. S. C., Hutton, R., Holtorf, C., Westwood, J., Friese, W., Harte, J., & Nash, G. (2008). Book Review. Time and Mind, 1(1), 105-133. doi:10.2752/175169608783489143
Death and Memory in Early Medieval Britain
Nash, G. (2008). Death and Memory in Early Medieval Britain. Time and Mind, 1(3), 385-387. doi:10.2752/175169708x329444
Encoding a neolithic landscape: The linearity of burial monuments along strumble head, South-West Wales
Nash, G. (2008). Encoding a neolithic landscape: The linearity of burial monuments along strumble head, South-West Wales. Time and Mind, 1(3), 345-362. doi:10.2752/175169708X329381
The symbolic use of fire: A case for its use in the late neolithic passage grave tradition in wales
Nash, G. (2008). The symbolic use of fire: A case for its use in the late neolithic passage grave tradition in wales. Time and Mind, 1(2), 143-158. doi:10.2752/175169708X309752
Worshippers and Warriors: Reconstructing Gender and Gender Relations in the Prehistoric Rock Art of Naquane National Park, Valcamonica, Brescia, Northern Italy
Nash, G. (2008). Worshippers and Warriors: Reconstructing Gender and Gender Relations in the Prehistoric Rock Art of Naquane National Park, Valcamonica, Brescia, Northern Italy. Time and Mind, 1(2), 245-247. doi:10.2752/175169708x309851
2007
A coming of age
Mazel, A. D., Nash, G., & Waddington, C. (2007). A coming of age. In Art as Metaphor the Prehistoric Rock Art of Britain (pp. 1-8). doi:10.2307/j.ctvndv9dh.6
A scattering of images: The rock-art of southern britain
Nash, G. (2007). A scattering of images: The rock-art of southern britain. In Art as Metaphor the Prehistoric Rock Art of Britain (pp. 175-203). doi:10.2307/j.ctvndv9dh.15
Art as metaphor: The prehistoric rock-art of britain
Mazel, A. D., Nash, G., & Waddington, C. (2007). Art as metaphor: The prehistoric rock-art of britain. doi:10.2307/j.ctvndv9dh
Light at the end of the tunnel: The way megalithic art was viewed and experienced
Nash, G. (2007). Light at the end of the tunnel: The way megalithic art was viewed and experienced. In Art as Metaphor the Prehistoric Rock Art of Britain (pp. 123-150). doi:10.2307/j.ctvndv9dh.13
2006
Light at the end of the tunnel: the way megalithic art was viewed and experienced
Nash, G. (2006). Light at the end of the tunnel: the way megalithic art was viewed and experienced. Documenta Praehistorica, 33(0), 209-227. doi:10.4312/dp.33.19
2005
Joining the ranks: Commentary and American conservatism
Nash, G. H. (2005). Joining the ranks: Commentary and American conservatism. In Commentary in American Life (pp. 151-173).
2004
Iron Age Iberia
Nash, G. (2004). Iron Age Iberia. Antiquity, 78(299), 197-200. doi:10.1017/S0003598X00093066
2003
European landscapes of rock-art
Nash, G., & Chippindale, C. (2003). European landscapes of rock-art. doi:10.4324/9780203167526
Images of enculturing landscapes: A European perspective
Nash, G., & Chippindale, C. (2003). Images of enculturing landscapes: A European perspective. In European Landscapes of Rock Art (pp. 1-19). doi:10.4324/9780203167526-8
The landscape brought within: A re-evaluation of the rock-painting site at Tumlehed, Torslanda, Göteborg, west Sweden
Nash, G. (2003). The landscape brought within: A re-evaluation of the rock-painting site at Tumlehed, Torslanda, Göteborg, west Sweden. In European Landscapes of Rock Art (pp. 176-194). doi:10.4324/9780203167526-16
1998
Book Review: The Cultural Life of Images: Visual Representation in Archaeology
Nash, G. (1998). Book Review: The Cultural Life of Images: Visual Representation in Archaeology. European Journal of Archaeology, 1(2), 282-283. doi:10.1177/146195719800100210
Archaeology: The Importance of Art and Imagery
Nash, G. (1998). Archaeology: The Importance of Art and Imagery. European Journal of Archaeology, 1(2), 282-283. doi:10.1179/eja.1998.1.2.282