Research outputs
2025
New Media Archaeologies
Roberts, B., Goodall, M., Strauven, W., Fickers, A., Oever, A., Elsaesser, T., . . . Parikka, J. (2019). New Media Archaeologies. Amsterdam University Press. doi:10.5117/9789462982161
2023
Gaps in Transmission: Reading Lacan's <i>Television</i>
Buse, P., & Lapsley, R. (2023). Gaps in Transmission: Reading Lacan's <i>Television</i>. MODERN PHILOLOGY, 394-415. doi:10.1086/723143
Making Psychoanalysis New: Freud, Print Culture, and Modernism
Bru, S., & Buse, P. (2023). Making Psychoanalysis New: Freud, Print Culture, and Modernism. Modernism/modernity, 30(2), 397-419. doi:10.1353/mod.2023.a913154
2022
Exhibition review: How to win at photography: Image-making and play
Buse, P. (2022). Exhibition review: How to win at photography: Image-making and play. NECSUS: European Journal of Media Studies, 11(2). Retrieved from https://necsus-ejms.org/how-to-win-at-photography-image-making-and-play/
Letters to Belvedere: participatory cinephilia in late Francoism
Buse, P., & Triana-Toribio, N. (2022). Letters to Belvedere: participatory cinephilia in late Francoism. JOURNAL OF SPANISH CULTURAL STUDIES, 23(2), 129-146. doi:10.1080/14636204.2022.2070701
2021
On ludic photography
Buse, P. (2021). On ludic photography. photographies, 14(3), 421-441. doi:10.1080/17540763.2021.1957003
2020
Theory
Buse, P. (2020). Theory. In L. Peacock (Ed.), A Cultural History of Comedy in the Modern Age, Volume 6, A Cultural History of Comedy (pp. 43-62). London: Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/uk/a-cultural-history-of-comedy-9781350000827/
Narcissism in Toronto : Jones, Freud, and minor Differences
Buse, P. (2018). Narcissism in Toronto : Jones, Freud, and minor Differences. Textual Practice, 34(2), 195-213. doi:10.1080/0950236X.2018.1515110
2019
Collector, Hoarder, Media Archaeologist: Walter Benjamin with Vivian Maier
Buse, P. (2019). Collector, Hoarder, Media Archaeologist: Walter Benjamin with Vivian Maier. In B. Roberts, & M. Goodall (Eds.), New Media Archaeologies (pp. 135-154). Amsterdam: Amsterdam University Press. doi:10.5117/9789462982161_ch06
2018
The Photographer as Reader: The Aspirational Amateur in the Photo-Magazines
Buse, P. (2018). The Photographer as Reader: The Aspirational Amateur in the Photo-Magazines. In B. Burbridge, & A. Pollen (Eds.), Photography Reframed : New Visions in Photographic Culture. Bloomsbury. doi:10.4324/9781003103806-9
2017
THE DOG AND THE PARAKEET: <i>lacan among the animals</i>
Buse, P. (2017). THE DOG AND THE PARAKEET: <i>lacan among the animals</i>. ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES, 22(4), 133-145. doi:10.1080/0969725X.2017.1406052
Photo/Play
Buse, P. (2017). Photo/Play. Loose Associations, 3, 16-19. Retrieved from http://eprints.kingston.ac.uk/39721/
Psychoanalysis on Sunday : Lacan, cinema, comedy
Buse, P. (2017). Psychoanalysis on Sunday : Lacan, cinema, comedy. Genre, 50(2), 219-238. doi:10.1215/00166928-3890046
The longevity of Polaroid
Buse, P. (2017). The longevity of Polaroid. In W. A. Ewing, & B. P. Hitchcock (Eds.), The Polaroid project : at the intersection of art and technology (pp. 172-175). Thames and Hudson. Retrieved from http://eprints.kingston.ac.uk/37350/
Polaroid’s fourth archive
Buse, P. (2017). Polaroid’s fourth archive. In K. Zeleny (Ed.), Found Polaroids (pp. 11-13). Aint-Bad. Retrieved from http://eprints.kingston.ac.uk/39642/
2016
Introduction: Right in Front of our Eyes
Buse, P., Caselli, D., & Ware, B. (2016). Introduction: Right in Front of our Eyes. PARALLAX, 22(4), 386-389. doi:10.1080/13534645.2016.1229162
On the diagonal : Jacques Lacan’s reading lists
Buse, P. (2016). On the diagonal : Jacques Lacan’s reading lists. Parallax, 22(4), 481-499. doi:10.1080/13534645.2016.1229168
The Camera Does the Rest : How Polaroid Changed Photography
Buse, P. (2016). The Camera Does the Rest : How Polaroid Changed Photography. Chicago: University of Chicago Press. doi:10.7208/chicago/9780226312163.001.0001
2015
<i>Ocho apellidos vascos</i> and the Comedy of Minor Differences
Buse, P., & Toribio, N. T. (2015). <i>Ocho apellidos vascos</i> and the Comedy of Minor Differences. ROMANCE QUARTERLY, 62(4), 229-241. doi:10.1080/08831157.2015.1068637
Vernacular Photographic Genres after the Camera Phone
Buse, P. (n.d.). Vernacular Photographic Genres after the Camera Phone. In Genre Trajectories. Palgrave Macmillan. doi:10.1057/9781137505484.0017
Genre Trajectories
Dowd, G., & Rulyova, N. (Eds.) (2015). Genre Trajectories. In . Palgrave Macmillan UK. doi:10.1057/9781137505484
2014
The camera and the press: American visual and print culture in the age of the daguerreotype
Buse, P. (2014). The camera and the press: American visual and print culture in the age of the daguerreotype. EARLY POPULAR VISUAL CULTURE, 12(2), 274-276. doi:10.1080/17460654.2014.891298
2013
The cinema of Álex de la Iglesia
Buse, P., Toribio, N. T., & Willis, A. (2013). The cinema of Álex de la Iglesia. Manchester University Press. doi:10.7765/9781847791665
40,000 roses - or, the perversity of Polaroid
Buse, P. (2013). 40,000 roses - or, the perversity of Polaroid. In M. -K. Lombino (Ed.), The Polaroid years (pp. 32-53). Prestel. Retrieved from http://eprints.kingston.ac.uk/35071/
2010
Polaroid into digital: Technology, cultural form, and the social practices of snapshot photography
Buse, P. (2010). Polaroid into digital: Technology, cultural form, and the social practices of snapshot photography. CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES, 24(2), 215-230. doi:10.1080/10304310903363864
It was better not to know
Buse, P. (2010). It was better not to know. Radical Philosophy: journal of socialist feminist philosophy, 163, 59-60.
The Polaroid Image as Photo-Object
Buse, P. (2010). The Polaroid Image as Photo-Object. JOURNAL OF VISUAL CULTURE, 9(2), 189-207. doi:10.1177/1470412910372754
2009
Polaroid, <i>Aperture</i> and Ansel Adams: Rethinking the Industry-Aesthetics Divide
Buse, P. (2009). Polaroid, <i>Aperture</i> and Ansel Adams: Rethinking the Industry-Aesthetics Divide. HISTORY OF PHOTOGRAPHY, 33(4), 354-369. doi:10.1080/03087290903283593
2008
SURELY FADES AWAY
Buse, P. (2008). SURELY FADES AWAY. Photographies, 1(2), 221-238. doi:10.1080/17540760802285577
Technical Properties
Buse, P. (2008). Technical Properties. Etudes Britanniques Contemporaines, 35, 3-14.
2007
Photography Degree Zero: Cultural History of the Polaroid Image
Buse, P. (2007). Photography Degree Zero: Cultural History of the Polaroid Image. New Formations: a journal of culture/theory/politics.
Benjamin's 'Arcades': An unGuided tour.
Leslie, E. (2007). Benjamin's 'Arcades': An unGuided tour. (Vol. 102). doi:10.2307/20467454
800 balas (2002): undoing the ignominy of boyhood
Buse, P., Triana Toribio, N., & Willis, A. (2007). 800 balas (2002): undoing the ignominy of boyhood. In The Cinema of Alex de la Iglesia (pp. 139-159). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0029
Acción mutante (1993): against the conspiracy of boredom
Buse, P., Triana Toribio, N., & Willis, A. (2007). Acción mutante (1993): against the conspiracy of boredom. In The Cinema of Alex de la Iglesia (pp. 33-51). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0013
El día de la bestia (1995): comedy, subcultures, television
Buse, P., Triana Toribio, N., & Willis, A. (2007). El día de la bestia (1995): comedy, subcultures, television. In The Cinema of Alex de la Iglesia (pp. 53-75). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0016
Introduction
Buse, P., Triana Toribio, N., & Willis, A. (2007). Introduction. In The Cinema of Alex de la Iglesia (pp. 1-32). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0009
La comunidad (2000): modernity and the cinematic past
Buse, P., Triana Toribio, N., & Willis, A. (2007). La comunidad (2000): modernity and the cinematic past. In The Cinema of Alex de la Iglesia (pp. 119-138). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0026
Muertos de risa (1999): comedy, television, history
Buse, P., Triana Toribio, N., & Willis, A. (2007). Muertos de risa (1999): comedy, television, history. In The Cinema of Alex de la Iglesia (pp. 97-117). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0023
Perdita Durango (1997): the body, sex and Mexico
Buse, P., Triana Toribio, N., & Willis, A. (2007). Perdita Durango (1997): the body, sex and Mexico. In The Cinema of Alex de la Iglesia (pp. 77-95). Manchester University Press. doi:10.7228/manchester/9780719071362.003.0019
The Cinema of Alex de la Iglesia
Buse, P., Triana-Toribio, N., & Willis, A. (2007). The Cinema of Alex de la Iglesia. Manchester University Press. doi:10.7228/manchester/9780719071362.001.0001
Light in the Dark Room: Photography and Loss (review)
Light in the Dark Room: Photography and Loss (review) (2007). ESC: English Studies in Canada, 33(1-2), 253-256. doi:10.1353/esc.0.0048
Sollicitations téléphoniques: La Campagne de Martin Crimp
Buse, P. (2007). Sollicitations téléphoniques: La Campagne de Martin Crimp. In N. Boireau, & E. Angel-Perez (Eds.), Le theatre anglais contemporain (1985-2005) (pp. 153-170). Paris: Klincksieck. Retrieved from http://eprints.kingston.ac.uk/41012/
2005
'<i>Tel Quel</i>' in Manhattan:: America and the French avant-garde, 1960-82.
Buse, P. (2005). '<i>Tel Quel</i>' in Manhattan:: America and the French avant-garde, 1960-82.. NOTTINGHAM FRENCH STUDIES, 44(3), 69-82. doi:10.3366/nfs.2005-3.006
TEL QUEL
Buse, P. (2005). TEL QUEL. In France and the Americas Culture Politics and History Volume 3 (Vol. 3, pp. 1113-1114).
THEORY
Buse, P. (2005). THEORY. In France and the Americas Culture Politics and History Volume 3 (Vol. 3, pp. 1126-1130).
2004
The Spanish ‘popular auteur’
Buse, P., Triana-Toribio, N., & Willis, A. (2004). The Spanish ‘popular auteur’. New Cinemas: Journal of Contemporary Film, 2(3), 139-148. doi:10.1386/ncin.2.3.139/1
“Esto no es un juego, es<i>acción mutante</i>”: the provocations of álex de la iglesia
Buse, P., Triana‐toribio, N., & Willis, A. (2004). “Esto no es un juego, es<i>acción mutante</i>”: the provocations of álex de la iglesia. Journal of Iberian and Latin American Studies, 10(1), 9-22. doi:10.1080/1470184042000236242
A “Popular” Spanish Auteur: Alex de la Iglesia as a Polemical Tool
Buse, P., Triana-Toribio, N., & Willis, A. (2004). A “Popular” Spanish Auteur: Alex de la Iglesia as a Polemical Tool. New Cinemas: Journal of Contemporary Film, 2(3), 139-148.
Drama plus theory: Critical approaches to modern British drama
Knowles, R. (2004). Drama plus theory: Critical approaches to modern British drama (Vol. 99). doi:10.2307/3738894
Este no es un juego, es Acción Mutante: The Provocations of Álex de la Iglesia
Buse, P., Triana-Toribio, N., & Willis, A. (2004). Este no es un juego, es Acción Mutante: The Provocations of Álex de la Iglesia. Journal of Iberian and Latin American Studies, 10(1), 9-22.
2003
Carry on the welfare state: Orton, Nichols, and the medical profession
Buse, P. (2003). Carry on the welfare state: Orton, Nichols, and the medical profession. In Professions in Contemporary Drama (pp. 47-58).
2002
The Importance of Being Earnest: A Trivial Comedy for Serious People, e-book
Wilde, O. (2002). The Importance of Being Earnest: A Trivial Comedy for Serious People, e-book. Cultural Resources.
2001
Arcade magic
Buse, P. (2001). Arcade magic. Canadian Review of Comparative Literature, 28(4), 494-507.
1999
Book Reviews
Bazzoni, O., Buse, P., Arrell, D., Scott, S., & Frank, G. (1999). Book Reviews. Modern Drama, 42(3), 456-466. doi:10.3138/md.42.3.456
Ghosts
Buse, P., & Stott, A. (Eds.) (1999). Ghosts. Palgrave Macmillan UK. doi:10.1057/9780230374812
Ghosts: deconstruction, psychoanalysis, history
Buse, P., & Stott, A. (Eds.) (1999). Ghosts: deconstruction, psychoanalysis, history. Palgrave Macmillan. Retrieved from http://eprints.kingston.ac.uk/39757/
Introduction: A Future for Haunting
Buse, P., & Stott, A. (1999). Introduction: A Future for Haunting. In Ghosts (pp. 1-20). Springer Nature. doi:10.1057/9780230374812_1
Introduction: A Future for Haunting
Buse, P., & Stott, A. (1999). Introduction: A Future for Haunting. In Ghosts (pp. 1-20). Palgrave Macmillan UK. doi:10.1057/9780230374812_1
1998
Archaeology of an acting style
Buse, P. (1998). Archaeology of an acting style. European Journal of Cultural Studies, 1(2), 219-238. doi:10.1177/136754949800100204
A review of<i>conversations with (and about) Beckett,</i>edited by Mel Gussow
Buse, P. (1998). A review of<i>conversations with (and about) Beckett,</i>edited by Mel Gussow. Contemporary Theatre Review, 7(4), 131-132. doi:10.1080/10486809808568489
1997
Stage Remains: Theatre Criticism and the Photographic Archive
Buse, P. (1997). Stage Remains: Theatre Criticism and the Photographic Archive. Journal of Dramatic Theory and Criticism, 12(1), 77-96.
1996
Nintendo and Telos: Will You Ever Reach the End?
Buse, P. (1996). Nintendo and Telos + Video games as narrative: Will you ever reach the end?. CULTURAL CRITIQUE, (34), 163-184. doi:10.2307/1354616
Sinai snapshot: Freud, photography and the future perfect
Buse, P. (1996). Sinai snapshot: Freud, photography and the future perfect. Textual Practice, 10(1), 123-144. doi:10.1080/09502369608582241