Postgraduate Research Students

  • Richard Anderson - Investigating the Persistence of the Underground in Dance Music Scenes
  • Emily Baker
  • Stephen Jackson Banks - Practice-based research into new methods of working with timbre 
  • Rachael Gibson - Music As Touch: rethinking the Composer-Performer-Audience hierarchy through a practice-based exploration of tactile approaches to music making and engagement
  • Robert Girling - Music In Egyptian Gnostic Thought During Late Antiquity
  • Nina Himmelreich - Gender Equality in the German Music Industry
  • Elizabeth Hunt - A New Synchresis: The Recontextualisation of Moving Image Media in Live Concert Performance
  • Daniel Marx - An examination of the extent to which New York City and its jazz scene are good vessels for Jewish expression today
  • James Peter Moffatt - Scores for Streamers: Netflix, Amazon, and the Role of the Film Music Composer
  • John Moore - Music Theory YouTube: a critical examination of online audio-visual music theoretical discourses
  • Alok Nayak
  • Sarah Oliver - A Preacher’s Handbook: Song and Intellectual Culture in the English Miscellany London British Library Arundel MS 248
  • Billy Price - Shrinking the Divide: Cultural Reciprocity in Classical and Popular music
  • Nurulhamimi Abdul Rahman
  • Marta Riccardi - Harmonic Language and Triadic Magic in the Last ‘Fantastic’ Operas by Nikolay Rimsky-Korsakov
  • Megan Rowlands - Releasing Messiaen’s birds from their musical cages: Using Deleuzian theory to unlock new performance frameworks
  • Martin Slade - Creating electronic music with a neurodiverse mind, (creativity with Autism/ADHD.)
  • Richard Talbot
  • Philip Taylor - The changing performance practices of 15th Century polyphonic music in the last hundred years
  • Luying Zhang - “Translations and Beyond”: on Developing Leginska’s The Haunting for Chinese Concert Audiences