2023
Listening to the Unconscious: Adventures in Popular Music and Psychoanalysis (Book)
Smith, K., & Overy, S. (2023). Listening to the Unconscious: Adventures in Popular Music and Psychoanalysis. New York: Bloomsbury.
2022
Smith, K. M. (2022). Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht". In B. Ravenscroft, & L. Parsons (Eds.), Analytical Essays on Music by Women Composers iii. Oxford: Oxford University Press.
‘Skryabin’s Mystical Space and the Spectral Attitude’ (Chapter)
Smith, K. M. (n.d.). ‘Skryabin’s Mystical Space and the Spectral Attitude’. In A. Bauer, L. Cagney, & W. Mason (Eds.), The Oxford Handbook of Spectral Music. Oxford: Oxford University Press.
Smith, K. (2022). Music in Radio Drama: The Curious Case of the Acousmatic Detective. Journal of the Royal Musical Association.
2021
Demystifying Scriabin (Book)
Smith, K. M., & Kallis, V. (Eds.) (2021). Demystifying Scriabin. Oxford: Boydell and Brewer.
Scriabin's "two-dimensional" accelerative forms (Chapter)
Smith, K. M. (2021). Scriabin's "two-dimensional" accelerative forms. In K. Smith, & V. Kallis (Eds.), Demystifying Scriabin. Oxford: Boydell & Brewer.
Smith, K. M. (2021). The Enigma of Entropy in Extended Tonality. Music Theory Spectrum, 43(1), 1-18. doi:10.1093/mts/mtaa021DOI: 10.1093/mts/mtaa021
2020
Pulp: a Paradigm for Perversion in Pornosonic Pop (Chapter)
Smith, K. M. (2020). Pulp: a Paradigm for Perversion in Pornosonic Pop. In F. Jarman, K. A. Hansen, & E. Askeroi (Eds.), Popular musicology and identity: essays in honour of Stan Hawkins. Routledge.
Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality (Book)
Smith, K. M. (2020). Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality. New York: Oxford University Press. Retrieved from https://global.oup.com/
Diatonic refraction through metatonal spaces (Chapter)
Smith, K. M. (2020). Diatonic refraction through metatonal spaces. In P. Fleet (Ed.), Mining the Gap. Routledge.
2018
Becoming Minoritarian: Embodiment and Disembodiment in Szymanowski’s Mythes, Op. 30/I (Chapter)
Smith, K. M. (2018). Becoming Minoritarian: Embodiment and Disembodiment in Szymanowski’s Mythes, Op. 30/I. In N. Reyland, & R. Thumpston (Eds.), Music, Analysis, and the Body: Experiments, Explorations, and Embodiments (pp. 51-74). Leuven, Belgium: Peeters Publishers, Leuven University Press.
Overy, S., & Smith, K. (2018). The Love Detective: Cybernetic Groove Cycles and the Mysteries of Desire in Arab Strap.. In K. Smith, C. Scotto, & J. Brackett (Eds.), The Routledge Companion to Popular Music Analysis: Expanding Approaches (pp. 364-377). New York: Routledge. Retrieved from https://www.routledge.com/
Smith, K. M. (2018). Vertigo's Musical Gaze: Neo-Riemannian Symmetries and Spirals. Music Analysis, 37(1), 68-102. doi:10.1111/musa.12109DOI: 10.1111/musa.12109
The routledge companion to popular music analysis: Expanding approaches (Book)
Scotto, C., Smith, K., & Brackett, J. (2018). The routledge companion to popular music analysis: Expanding approaches. doi:10.4324/9781315544700DOI: 10.4324/9781315544700
2017
Skryabin, philosophy and the music of desire (Book)
Smith, K. M. (2017). Skryabin, philosophy and the music of desire.
Smith, K. M. (2017). Sexual Subversion and the Subdominant: The Case of Suede. Music Analysis, 36(01), 116-137. doi:10.1111/musa.12087DOI: 10.1111/musa.12087
2016
2014
Formal Negativities, Breakthroughs, Ruptures & Continuities in the Music of Modest Mouse (Journal article)
Smith, K. M. (2014). Formal Negativities, Breakthroughs, Ruptures & Continuities in the Music of Modest Mouse. Popular Music, 33(3), 428-454. doi:10.1017/S0261143014000385DOI: 10.1017/S0261143014000385
Smith, K. M. (2014). The Transformational Energetics of the Tonal Universe: Cohn, Rings, Tymoczko. Music Analysis, 33(2), 214-256. doi:10.1111/musa.12032DOI: 10.1111/musa.12032
2011
The Tonic Chord and Lacan's Object <i>a</i> in Selected Songs by Charles Ives (Journal article)
Smith, K. M. (2011). The Tonic Chord and Lacan's Object <i>a</i> in Selected Songs by Charles Ives. JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, 136(2), 353-398. doi:10.1080/02690403.2011.618726DOI: 10.1080/02690403.2011.618726
2010
Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian<i>Funktionstheorie</i> (Journal article)
SMITH, K. M. (2010). Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian<i>Funktionstheorie</i>. Twentieth-Century Music, 7(2), 167-194. doi:10.1017/s1478572211000156DOI: 10.1017/s1478572211000156
'A Science of Tonal Love'? Drive and Desire in Twentieth-Century Harmony: the Erotics of Skryabin (Journal article)
Smith, K. M. (2010). 'A Science of Tonal Love'? Drive and Desire in Twentieth-Century Harmony: the Erotics of Skryabin. Music Analysis, 29(i-ii-iii), 234-263. doi:10.1111/j.1468-2249.2011.00328.xDOI: 10.1111/j.1468-2249.2011.00328.x
Lacan, Zemlinsky, and Der Zwerg: Mirror, Metaphor, and Fantasy (Journal article)
Smith, K. M. (2010). Lacan, Zemlinsky, and Der Zwerg: Mirror, Metaphor, and Fantasy. Perspectives of New Music, 48(2), 78-113.
Psihoanalitičeskie drajvy v garmonii Aleksandra Skrâbina (Journal article)
Smith, K. M. (2010). Psihoanalitičeskie drajvy v garmonii Aleksandra Skrâbina. Problemy Muzykal'noi Nauki, 7(1).
2005
Erotic Discourse in Skryabin's Fourth Sonata (Journal article)
Smith, K. M. (2005). Erotic Discourse in Skryabin's Fourth Sonata. British Postgraduate Musicology, 7(1). Retrieved from http://www.bpmonline.org.uk/bpm7
