2023
Henning, M. (2023). 'Some Slight Eruptive Disease’: Victorian Verisimilitude in Photography and Plastercasting. In M. Bol, & E. C. Spary (Eds.), The Matter of Mimesis (Vol. 7, pp. 321-342). Leiden: Brill. Retrieved from https://brill.com/display/title/39052?language=en
2022
Henning, M. (2022). “Kind of Blue: Social Media Photography and Emotion”. Digital Culture and Society, 7. doi:10.14361/dcs-2021-070203DOI: 10.14361/dcs-2021-070203
2021
That Liking Feeling: Mood, Emotion and Social Media Photography (Chapter)
Henning, M. (2021). That Liking Feeling: Mood, Emotion and Social Media Photography. In K. Parry, & J. Lewis (Eds.), Ubiquity: Photography's Multitudes (pp. 225-243). Leuven: University of Leuven Press.
"What Moves? The Itineraries of Pre-digital Photography" (Chapter)
Henning, M. (2021). 9. What Moves? The Itineraries of Pre-Digital Photography. In Edition Medienwissenschaft (pp. 189-208). transcript Verlag. doi:10.14361/9783839452462-009DOI: 10.14361/9783839452462-009
Light sensitive material: an introduction (Journal article)
Henning, M., & Mikuriya, J. T. (2021). Light sensitive material: an introduction. photographies, 14(3), 381-394. doi:10.1080/17540763.2021.1962230DOI: 10.1080/17540763.2021.1962230
Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash (Journal article)
Henning, M. (n.d.). Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash. History of Photography, 44(4).
Feeling Photos: photography, picture language and mood capture (Chapter)
Henning, M. (2021). Feeling Photos: photography, picture language and mood capture. In J. Parikka, & T. Dvorak (Eds.), Photography Off the Scale: Technologies and Theories of the Mass Image. Edinburgh: Edinburgh University Press.
“Lucia Moholy and the Impact of German Photography History in Britain” (Chapter)
Henning, M. (2021). “Lucia Moholy and the Impact of German Photography History in Britain”. In L. Wasensteiner (Ed.), Sites of Interchange: Modernism, Politics, and Culture in Britain and Germany, 1919-1951. Oxford: Peter Lang.
2020
“Bristol Mixes: Underground Music, Identity and the City” (Chapter)
Henning, M., & Hyder, R. (2020). “Bristol Mixes: Underground Music, Identity and the City”. In J. Hossfeld (Ed.), Ten Cities: Clubbing in Africa and Europe, 1960 - Present. Leipzig: Spector.
Henning, M. C. (n.d.). The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain. doi:10.1080/14714787.2020.1730706DOI: 10.1080/14714787.2020.1730706
2019
Henning, M. C. (2019). Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design. In A. Tuboly, & J. Cat (Eds.), Neurath Reconsidered: New Sources and Perspectives (pp. 413-434). Switzerland: Springer. doi:10.1007/978-3-030-02128-3_15DOI: 10.1007/978-3-030-02128-3_15
2018
Image Flow: Photography on tap (Journal article)
Henning, M. (2018). IMAGE FLOW. photographies, 11(2-3), 133-148. doi:10.1080/17540763.2018.1445011DOI: 10.1080/17540763.2018.1445011
Photography: The Unfettered Image (Book)
Henning, M. C. (2018). Photography: The Unfettered Image. London: Routledge. Retrieved from https://www.routledge.com/
2017
Henning, M. (2017). The Floating Face: Garbo, Photography and Death Masks. Photographies, 10(2), 157-178. doi:10.1080/17540763.2016.1266691DOI: 10.1080/17540763.2016.1266691
2015
Museums and Media Archaeology: An Interview with Wolfgang Ernst (Chapter)
Henning, M., & Ernst, W. (n.d.). Museums and Media Archaeology: An Interview with Wolfgang Ernst. In Unknown Book (pp. 3-22). Wiley. doi:10.1002/9781118829059.wbihms301DOI: 10.1002/9781118829059.wbihms301
Museum Media, Vol 3. of The International Handbooks of Museum Studies (Book)
Henning, M., Macdonald, S., & Rees Leahy, H. (Eds.) (2015). Museum Media, Vol 3. of The International Handbooks of Museum Studies. Oxford: Wiley-Blackwell.
The subject as object: Photography and the human body (Chapter)
Henning, M. (2015). The subject as object: Photography and the human body. In Photography: A Critical Introduction (pp. 189-230). doi:10.4324/9781315727370-12DOI: 10.4324/9781315727370-12
2014
Locating the 'Bristol sound' archiving music as everyday life (Chapter)
Henning, M., & Hyder, R. (2014). Locating the 'Bristol sound' archiving music as everyday life. In Sites of Popular Music Heritage: Memories, Histories, Places (pp. 97-111). doi:10.4324/9780203514528DOI: 10.4324/9780203514528
2013
With and Without Walls: Photographic Reproduction and the Art Museum (Chapter)
Henning, M. (n.d.). With and Without Walls: Photographic Reproduction and the Art Museum. In Unknown Book (pp. 577-602). Wiley. doi:10.1002/9781118829059.wbihms996DOI: 10.1002/9781118829059.wbihms996
2011
Neurath's Whale (Chapter)
Henning, M. (2011). Neurath's Whale. In Unknown Book (pp. 151-168). Retrieved from https://www.webofscience.com/
Living Life In Pictures: Isotype As Modernist Cultural Practice (Journal article)
Henning, M. (2011). Living Life In Pictures: Isotype As Modernist Cultural Practice. New Formations, 70(70), 41-59. doi:10.3898/newf.70.03.2010DOI: 10.3898/newf.70.03.2010
2008
Legibility and Affect: Museums as New Media (Chapter)
Henning, M. (2007). Legibility and Affect: Museums as New Media. In Unknown Book (pp. 25-46). Wiley. doi:10.1002/9780470696118.ch1DOI: 10.1002/9780470696118.ch1
2007
Anthropomorphic taxidermy and the death of nature: The curious art of Hermann Ploucquet, Walter Potter and Charles Waterton (Journal article)
Henning, M. (2007). Anthropomorphic taxidermy and the death of nature: The curious art of Hermann Ploucquet, Walter Potter, and Charles Waterton. VICTORIAN LITERATURE AND CULTURE, 35(2), 663-678. doi:10.1017/S1060150307051704DOI: 10.1017/S1060150307051704
