2021
Are you experienced? Intimacy, authenticity, and emotion in house museums of musicians (Chapter)
Leonard, M. (2022). Are you experienced? Intimacy, authenticity, and emotion in house museums of musicians. In SOUND HERITAGE (pp. 314-337). doi:10.4324/9780429281327-18DOI: 10.4324/9780429281327-18
2018
REPRESENTING POPULAR MUSIC HISTORIES AND HERITAGE IN MUSEUMS (Chapter)
Leonard, M. (2018). REPRESENTING POPULAR MUSIC HISTORIES AND HERITAGE IN MUSEUMS. In ROUTLEDGE COMPANION TO POPULAR MUSIC HISTORY AND HERITAGE (pp. 261-270). Retrieved from https://www.webofscience.com/
2017
Knifton, R., & Leonard, M. (n.d.). A critical survey of museum collections of popular music in the United Kingdom. Popular Music History, 10(2), 171-191. doi:10.1558/pomh.33288DOI: 10.1558/pomh.33288
2016
Girls at Work Gendered Identities, Sex Segregation, and Employment Experiences in the Music Industries (Chapter)
Leonard, M. (2016). Girls at Work Gendered Identities, Sex Segregation, and Employment Experiences in the Music Industries. In VOICING GIRLHOOD IN POPULAR MUSIC: PERFORMANCE, AUTHORITY, AUTHENTICITY (pp. 37-55). Retrieved from https://www.webofscience.com/
2015
Preserving Popular Music Heritage (Chapter)
Baker, S. (Ed.) (n.d.). Preserving Popular Music Heritage. In . Routledge. doi:10.4324/9781315769882DOI: 10.4324/9781315769882
Gender and Sexuality (Chapter)
Gender and Sexuality (2015). In The Routledge Reader on the Sociology of Music (pp. 197-206). Routledge. doi:10.4324/9780203736319-20DOI: 10.4324/9780203736319-20
2014
More than background: Ambience and sound-design in contemporary art documentary film (Chapter)
Strachan, R., & Leonard, M. (2014). More than background: Ambience and sound-design in contemporary art documentary film. In H. Rogers (Ed.), Music and sound in nonfiction film: real listening. New York: Routledge. Retrieved from http://www.routledge.com/books/details/9780415728669/
Engaging nostalgia: Popular music and memory in museums (Chapter)
Leonard, M., & Knifton, R. (2014). Engaging nostalgia: Popular music and memory in museums. In Sites of Popular Music Heritage: Memories, Histories, Places (pp. 160-173). doi:10.4324/9780203514528DOI: 10.4324/9780203514528
Introduction: Locating popular music heritage (Chapter)
Cohen, S., Roberts, L., Knifton, R., & Leonard, M. (2014). Introduction: Locating popular music heritage. In Unknown Book (pp. 1-11). doi:10.4324/9780203514528DOI: 10.4324/9780203514528
Sites of Popular Music Heritage (Book)
Cohen, S., Knifton, R., Leonard, M., & Roberts, L. (Eds.) (n.d.). Sites of Popular Music Heritage. Routledge. doi:10.4324/9780203514528DOI: 10.4324/9780203514528
'Staging the Beatles: ephemerality, materiality and the production of authenticity in the museum' (Journal article)
Leonard, M. (2014). 'Staging the Beatles: ephemerality, materiality and the production of authenticity in the museum'. International Journal of Heritage Studies, 20(4), 357-375. doi:10.1080/13527258.2012.754367DOI: 10.1080/13527258.2012.754367
2013
The "Lord Mayor of Beatle-land": Popular Music, Local Government, and the Promotion of Place in 1960s Liverpool (Journal article)
Leonard, M. (2013). The "Lord Mayor of Beatle-land": Popular Music, Local Government, and the Promotion of Place in 1960s Liverpool. POPULAR MUSIC AND SOCIETY, 36(5), 597-614. doi:10.1080/03007766.2012.718516DOI: 10.1080/03007766.2012.718516
Knifton, R., & Leonard, M. (n.d.). Introduction. Popular Music History, 10(2), 107-112. doi:10.1558/pomh.33289DOI: 10.1558/pomh.33289
2012
'"Museums of Sound": Collecting and Curating Everyday Popular Music Experiences' (Chapter)
Leonard, M., & Knifton, R. (2012). '"Museums of Sound": Collecting and Curating Everyday Popular Music Experiences'. In R. Snape, H. Pussard, & M. Constantine (Eds.), Recording Leisure Lives: Everyday Leisure in Twentieth Century Britain. Eastbourne: Leisure Studies Association.
'Cette guitare n'a plus que quelques secondes à vivre : où il est question de la seconde vie des guitares de Pete Townshend, de musiques populaires et de l'incidence de contextes patrimoniaux distincts' ['This Guitar has only Seconds to Live': The Afterlife of Pete Townshend's Guitars and the Contexts of Popular Music Heritage'] (Journal article)
Leonard, M. (2012). 'Cette guitare n'a plus que quelques secondes à vivre : où il est question de la seconde vie des guitares de Pete Townshend, de musiques populaires et de l'incidence de contextes patrimoniaux distincts' ['This Guitar has only Seconds to Live': The Afterlife of Pete Townshend's Guitars and the Contexts of Popular Music Heritage']. Questions de Communication, 22, 87-102.
'Riot Grrrl' (Chapter)
Leonard, M. (2012). 'Riot Grrrl'. In D. Horn, & J. Shepherd (Eds.), The Continuum Encyclopaedia of Popular Music of the World Volume 8: Genres: North America (pp. 401-403). London and New York: Continuum International.
2010
Exhibiting Popular Music: Museum Audiences, Inclusion and Social History (Journal article)
Leonard, M. (2010). Exhibiting Popular Music: Museum Audiences, Inclusion and Social History. Journal of New Music Research, 39(2), 171-181. doi:10.1080/09298215.2010.494199DOI: 10.1080/09298215.2010.494199
'Not just one of the boys: gender, representation and the historical record' (Chapter)
Leonard, M. (2010). 'Not just one of the boys: gender, representation and the historical record'. In M. Leonard, & R. Strachan (Eds.), The Beat Goes On: Liverpool, Popular Music and the Changing City (pp. 105-123). Liverpool: Liverpool University Press.
'The Creative Process: Liverpool Songwriters on Songwriting' (Chapter)
Leonard, M. (2010). 'The Creative Process: Liverpool Songwriters on Songwriting'. In M. Leonard, & R. Strachan (Eds.), The Beat Goes On: Liverpool, Popular Music and the Changing City (pp. 161-181). Liverpool: Liverpool University Press.
The Beat Goes On: Liverpool, Popular Music and the Changing City (Book)
Strachan, R., & Leonard, M. (Eds.) (2010). The Beat Goes On: Liverpool, Popular Music and the Changing City. Liverpool: Liverpool University Press.
2009
'Reel to Real: Cinema Verité, Rock Authenticity and the Rock Documentary' (Chapter)
Strachan, R., & Leonard, M. (2009). 'Reel to Real: Cinema Verité, Rock Authenticity and the Rock Documentary'. In G. Harper, R. Doughty, & J. Eisentraut (Eds.), Continuum Companion to Sound in Film and the Visual Media (pp. 284-299). London: Continuum.
2007
'Constructing histories through material culture: Popular Music, Museums and Collecting' (Journal article)
Leonard, M. (2007). 'Constructing histories through material culture: Popular Music, Museums and Collecting'. Popular Music History, 2(2), 147-167.
'Paper Planes: Travelling the New Grrrl Geographies' (Chapter)
Leonard, M. (2007). 'Paper Planes: Travelling the New Grrrl Geographies'. In K. Gelder (Ed.), Subcultures: Critical Concepts in Media and Cultural Studies. London: Routledge.
Gender in the Music Industry (Book)
Leonard, M. (2007). Gender in the Music Industry. D. Scott (Ed.), Aldershot: Ashgate.
2005
Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool (Journal article)
Leonard, M. (2005). Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool. Social & Cultural Geography, 6(4), 515-529. doi:10.1080/14649360500200239DOI: 10.1080/14649360500200239
2004
'A musical nation: protection, investment and branding in the Irish music industry' (Journal article)
Strachan, R., & Leonard, M. (2004). 'A musical nation: protection, investment and branding in the Irish music industry'. Irish Studies Review, 12(1), 39-50. Retrieved from http://dx.doi.org/10.1080/0967088042000192103
2003
'Archives' (Chapter)
Strachan, R., & Leonard, M. (2003). 'Archives'. In J. Shepherd, D. Horn, D. Laing, P. Oliver, & P. Wicke (Eds.), The Encyclopaedia of Popular Music of the World Volume 1: Media, Industry and Society (Vol. 1, pp. 3-7). London: Continuum.
'Authenticity' (Chapter)
Leonard, M., & Strachan, R. (2003). 'Authenticity'. In J. Shepherd, D. Horn, D. Laing, P. Oliver, & P. Wicke (Eds.), The Encyclopaedia of Popular Music of the World Volume 1: Media, Industry and Society (Vol. 1, pp. 164-166). London: Continuum.
'Popular Music in Advertising' (Chapter)
Strachan, R., & Leonard, M. (2003). 'Popular Music in Advertising'. In J. Shepherd, D. Horn, D. Laing, P. Oliver, & P. Wicke (Eds.), The Encyclopaedia of Popular Music of the World Volume 1: Media, Industry and Society (Vol. 1, pp. 312-318). London: Continuum.
'Popular Music in Film' (Chapter)
Strachan, R., & Leonard, M. (2003). 'Popular Music in Film'. In J. Shepherd, D. Horn, & D. Laing (Eds.), The Continuum Encyclopedia of Popular Music of the World: Volume I: Media, Industry and Society (pp. 318-322). London: Continuum.
2002
'Collective responsibilities: the Arts Council, community arts and the music industry in Ireland' (Chapter)
Strachan, R., & Leonard, M. (2002). 'Collective responsibilities: the Arts Council, community arts and the music industry in Ireland'. In M. Talbot (Ed.), The Business of Music (pp. 244-262). Liverpool: Liverpool University Press.
2000
'Constructing Histories and Policing Conversations: Gendering Rock Discourse' (Conference Paper)
Leonard, M. (2000). 'Constructing Histories and Policing Conversations: Gendering Rock Discourse'. In T. Mitchell, P. Doyle, & B. Johnson (Eds.), Changing Sounds: New Directions and Configurations in Popular Music. Sydney: University of Technology: Sydney.
1998
'Paper Planes: Travelling the New Grrrl Geographies' (Chapter)
Leonard, M. (1998). 'Paper Planes: Travelling the New Grrrl Geographies'. In T. Skelton, & G. Valentine (Eds.), Cool Places: Geographies of Youth Cultures (pp. 101-118). London: Routledge.
1997
'"Rebel Girl You Are The Queen Of My World": Feminism, "Subculture" and Grrrl Power' (Chapter)
Leonard, M. (1997). '"Rebel Girl You Are The Queen Of My World": Feminism, "Subculture" and Grrrl Power'. In S. Whiteley (Ed.), Sexing The Groove: Popular Music and Gender (pp. .). London: Routledge.
