2022
Bridges, Streams and Dams: the Multiple Negotiated Strategies of Distribution and Access in Latin American Cinema (Chapter)
Thornton, N. (2022). Bridges, Streams and Dams: the Multiple Negotiated Strategies of Distribution and Access in Latin American Cinema. In S. Baschiera, & A. Fisher (Eds.), World Cinema on Demand Global Film Cultures in the Eras of Online Distribution (pp. 47-67). New York & London: Bloomsbury.
2021
Thornton, N. (2021). Alejandro Gonzalez Inarritu's melodramatic masculinities. STUDIES IN SPANISH & LATIN AMERICAN CINEMAS, 18(1), 57-72. doi:10.1386/slac_00036_1DOI: 10.1386/slac_00036_1
Greene, L., & Thornton, N. (2021). Brews and brows: shaping stories from eyebrows to scousebrows. Screen, 61(4), 646-654. doi:10.1093/screen/hjaa055DOI: 10.1093/screen/hjaa055
2020
1976 and the Traumatic Memory of 1968: Felipe Cazals and Servando González Grapple with the Aftermath and the Perpetrator Archive (Chapter)
Thornton, N. (2020). 1976 and the Traumatic Memory of 1968: Felipe Cazals and Servando González Grapple with the Aftermath and the Perpetrator Archive. In N. Thornton, & M. Haddu (Eds.), Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Edinburgh: Edinburgh University Press.
Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures (Book)
Thornton, N., & Haddu, M. (2020). Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. N. Thornton, & M. Haddu (Eds.), Edinburgh: Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-legacies-of-the-past.html
Tastemakers and Tastemaking: Mexico and Curated Screen Violence (Book)
Thornton, N. (2020). Tastemakers and Tastemaking: Mexico and Curated Screen Violence. New York: SUNY Press. Retrieved from http://www.sunypress.edu/p-6975-tastemakers-and-tastemaking.aspx
Introduction: Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Culture, (Chapter)
Thornton, N. (n.d.). Introduction: Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Culture,. In N. Thornton (Ed.), Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Edinburgh: Edinburgh University Press.
Public intellectuals (Chapter)
Leen, C., & Thornton, N. (2020). Public intellectuals. In The Routledge Handbook to the Culture and Media of the Americas (pp. 203-214). Routledge. doi:10.4324/9781351064705-18DOI: 10.4324/9781351064705-18
2019
La perdición de los hombres (2000): Beyond Melodrama and Its Variations (Chapter)
Thornton, N. (2019). La perdición de los hombres (2000): Beyond Melodrama and Its Variations. In The Films of Arturo Ripstein (pp. 257-275). Springer International Publishing. doi:10.1007/978-3-030-22956-6_13DOI: 10.1007/978-3-030-22956-6_13
What happens in clipperton..: Criminality and trauma in Isla de pasión (1989) by Laura Restrepo and Isla de bobos (2007) by Ana García Bergua (Chapter)
Thornton, N. (2019). What happens in clipperton..: Criminality and trauma in Isla de pasión (1989) by Laura Restrepo and Isla de bobos (2007) by Ana García Bergua. In Crime Scenes: Latin American Crime Fiction from the 1960s to the 2010s (pp. 45-65).
MEXICAN TRANSNATIONAL CINEMA AND LITERATURE (Journal article)
Thornton, N. (2019). MEXICAN TRANSNATIONAL CINEMA AND LITERATURE. STUDIES IN SPANISH & LATIN AMERICAN CINEMAS, 16(3), 426-427. Retrieved from https://www.webofscience.com/
2018
Paraíso ¿Cuánto pesa el amor?: Challenging the Neoliberal in Mexican Cinema (Chapter)
Thornton, N. (2018). Paraíso ¿Cuánto pesa el amor?: Challenging the Neoliberal in Mexican Cinema. In Contemporary Latin American Cinema (pp. 83-98). Springer International Publishing. doi:10.1007/978-3-319-77010-9_5DOI: 10.1007/978-3-319-77010-9_5
2017
Women's (r)evolutions in Mexican cinema (Chapter)
Thornton, N. (2017). Women's (r)evolutions in Mexican cinema. In The Routledge Companion to World Cinema (pp. 122-135).
Latin American film in the digital age (Chapter)
Aguilar, G., Lacunza, M., & Thornton, N. (2017). Latin American film in the digital age. In The Routledge Companion to Latin American Cinema (pp. 358-374).
YouTube as Archive: Fans, Gender and Mexican Film Stars Online (Chapter)
Thornton, N. (2017). YouTube as Archive: Fans, Gender and Mexican Film Stars Online. In S. Yu, & G. Austin (Eds.), Revisiting Star Studies. Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-revisiting-star-studies.html
Re-Framing Mexican Women’s Filmmaking: the case of Marcela Fernandez Violante (Chapter)
Thornton, N. R. (2017). Re-Framing Mexican Women’s Filmmaking: the case of Marcela Fernandez Violante. In D. Martin, & D. Shaw (Eds.), Latin American Women Filmmakers: Production, Politics, Poetics (pp. 197-216). London: IB Tauris. doi:10.5040/9781350987012.ch-008DOI: 10.5040/9781350987012.ch-008
Taylor, C. (n.d.). Modern Languages and the Digital: The Shape of the Discipline. Modern Languages Open, 0(0). doi:10.3828/mlo.v0i0.156DOI: 10.3828/mlo.v0i0.156
TRANSIENCE AND PERMANENCE IN ONLINE SELVES: A personal refl ection (Chapter)
Thornton, N. (2017). TRANSIENCE AND PERMANENCE IN ONLINE SELVES: A personal refl ection. In The Routledge Companion to Inter-American Studies (pp. 263-270). doi:10.4324/9781315644981-32DOI: 10.4324/9781315644981-32
Where Cabaret Meets Revolution: The Prostitute at War in Mexican Film (Chapter)
Thornton, N. R. (2017). Where Cabaret Meets Revolution: The Prostitute at War in Mexican Film. In D. Hipkins, & K. Taylor-Jones (Eds.), Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women (pp. 131-146). London: Springer. doi:10.1007/978-3-319-64608-4_7DOI: 10.1007/978-3-319-64608-4_7
2016
Thornton, N. R. (2016). Writing cinema: the communicating vessels of literature and film. In I. Sánchez Prado, A. M. Nogar, & J. R. Ruisánchez Serra (Eds.), A History of Mexican Literature (pp. 411-425). Cambridge University Press.
2015
Thornton, N. (2015). Mexican Film. Oxford Bibliographies.
2014
Pacific Rim (Chapter)
Thornton, N. (n.d.). Pacific Rim. In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan. doi:10.1057/9781137407849.0014DOI: 10.1057/9781137407849.0014
International Perspectives on Chicana/o Studies: 'This World is My Place' (Book)
Thornton, N., & Leen, C. (Eds.) (2014). International Perspectives on Chicana/o Studies: 'This World is My Place'. London and New York: Routledge.
Pacific Rim: Reception, Readings, and Authority (Chapter)
Thornton, N. (2014). Pacific Rim: Reception, Readings, and Authority. In A. Davies, D. Shaw, & D. Tierney (Eds.), The Transnational Fantasies of Guillermo del Toro (pp. 175-200). Basingstoke: Palgrave Macmillan.
Painting, Literature and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads and Women. (Journal article)
Thornton, N. (2014). Painting, Literature and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads and Women.. AMERICAS, 70(3), 573-574. doi:10.1353/tam.2014.0043DOI: 10.1353/tam.2014.0043
2013
International Perspectives on Chicana/o Studies (Chapter)
Leen, C., & Thornton, N. (Eds.) (n.d.). International Perspectives on Chicana/o Studies. In . Routledge. doi:10.4324/9780203486832DOI: 10.4324/9780203486832
My Super Sweet Fifteen: The Internationalisation of Quinceañeras in Literature and Film (Chapter)
Thornton, N. (2013). My Super Sweet Fifteen: The Internationalisation of Quinceañeras in Literature and Film. In International Perspectives on Chicana/o Studies: “This World Is My Place” (pp. 53-69). doi:10.4324/9780203486832-7DOI: 10.4324/9780203486832-7
My Super Sweet Fifteen: the Internationalisation of Quinceañeras in Literature and Film (Chapter)
Thornton, N. (2013). My Super Sweet Fifteen: the Internationalisation of Quinceañeras in Literature and Film. In C. Leen, & N. Thornton (Eds.), This World is My Place: International Perspectives on Chicana/o Studies (pp. NP). New York and London: Routledge.
Revolution and Rebellion in Mexican Film (Book)
Thornton, N. (2013). Revolution and Rebellion in Mexican Film. London: Bloomsbury Publishing.
Thornton, N. (2013). Wide-eyed Boys and Star Kids: Children and Violence in Voces inocentes (2004) and La lengua de las mariposas (1999). In J. Riordan-Goncalves, & P. Swier (Eds.), Dictatorships in the Hispanic World (pp. 267-287). Lanham, Maryland & Portsmouth: Rowman & Littlefield.
Zapata on Film: Dreams, Nightmares, Realities (Chapter)
Thornton, N. (2013). Zapata on Film: Dreams, Nightmares, Realities. In T. Altenberg (Ed.), Imagining the Revolution: Versions and Visions in Literature and Visual Culture (pp. 157-173). Newcastle-Upon-Tyne: Cambridge Scholars Press.
2012
'It just looks like more of Texas': Journeys and Travel Narratives in the Western (Chapter)
Thornton, N. (2012). 'It just looks like more of Texas': Journeys and Travel Narratives in the Western. In W. Raussert, & G. Martínez-Zalce (Eds.), (Re)Discovering 'America' Road Movies and Other Travel Narratives in North America / (Re)Descubriendo 'América' Road movie y otras narrativas de viaje en América del Norte (pp. 93-104). Trier & Arizona: Wissenschaftlicher Verlag Trier & Bilingual Press / Editorial Bilingüe.
Fairies at the Bottom of the Garden: Writers Crossing Digital Border (Journal article)
Thornton, N. (2012). Fairies at the Bottom of the Garden: Writers Crossing Digital Border. Forum for Inter-American Research, 5(1). Retrieved from http://www.interamerica.de/volume-5-1/thornton/
The 'Noughties' in the Hispanic and Lusophone World, (Book)
Thornton, N., & Bacon, K. (Eds.) (2012). The 'Noughties' in the Hispanic and Lusophone World,. Newcastle-Upon-Tyne: Cambridge Scholars Press.
2011
Valentinas, Coronelas, Soldaderas: Explosive Women in Mexican Film (Journal article)
Thornton, N. (2011). Valentinas, Coronelas, Soldaderas: Explosive Women in Mexican Film. The Colorado Review of Hispanic Studies, 8. Retrieved from http://spanish.colorado.edu/content/volume-8-9
2010
Ana Garcia Bergua's Purpura: Gay Narrative and the Boom Femenino in Mexico (Chapter)
Thornton, N. (2010). Ana Garcia Bergua's Purpura: Gay Narrative and the Boom Femenino in Mexico. In The Boom Femenino in Mexico: Reading Contemporary Women's Writing. Newcastle Upon Tyne: Cambridge Scholars Publishing.
Being Fruity in the Big City: re-membering the past in Enrique Serna's Fruta verde (Chapter)
Thornton, N. (2010). Being Fruity in the Big City: re-membering the past in Enrique Serna's Fruta verde. In V. Carpenter (Ed.), (Re)Collecting the Past: History and Collective Memory in Latin American Narrative (pp. 145-165). Bern: Peter Lang.
The Legacy of Mexico 1968 on Film in Y si placticamos de octubre (1981) by Maryse Sistach and Francisca, ¿De qué lado estás? (2002) by Eva López Sánchez (Chapter)
Thornton, N. (2010). The Legacy of Mexico 1968 on Film in Y si placticamos de octubre (1981) by Maryse Sistach and Francisca, ¿De qué lado estás? (2002) by Eva López Sánchez. In P. O'Byrne, C. Gabrielle, & N. Thornton (Eds.), Transcultural Encounters: Film, Literature, Art (pp. 195-208). Newcastle-Upon-Tyne: Cambridge Scholars Press.
Transcultural Encounters: Film, Literature, Art. (Book)
Thornton, N., O'Byrne, P., & Carty, G. (Eds.) (2010). Transcultural Encounters: Film, Literature, Art.. Newcastle-Upon-Tyne: Cambridge Scholars Press.
YouTube: transnational fandom and Mexican divas (Journal article)
Thornton, N. (2010). YouTube: transnational fandom and Mexican divas. Transnational Cinemas, 1(1), 53-67. doi:10.1386/trac.1.1.53/1DOI: 10.1386/trac.1.1.53/1
2008
From the City Looking Out, Out of the City Looking In (Journal article)
THORNTON, N. (2008). From the City Looking Out, Out of the City Looking In. Bulletin of Latin American Research, 27(4), 501-518. doi:10.1111/j.1470-9856.2008.00281.xDOI: 10.1111/j.1470-9856.2008.00281.x
Special Section Introduction: Imagining the Impossible: Textual and Visual Negotiations of the City in Latin America (Journal article)
WILLIAMS, C., & THORNTON, N. (2008). Special Section Introduction: Imagining the Impossible: Textual and Visual Negotiations of the City in Latin America. Bulletin of Latin American Research, 27(4), 463-464. doi:10.1111/j.1470-9856.2008.00279.xDOI: 10.1111/j.1470-9856.2008.00279.x
2007
Body, Nation, and Identity: Guillermo Gómez-Peña's Performances on the Web (Chapter)
Thornton, N. (2007). Body, Nation, and Identity: Guillermo Gómez-Peña's Performances on the Web. In Latin American Cyberculture and Cyberliterature (pp. 111-122). Liverpool University Press. doi:10.5949/upo9781846313462.007DOI: 10.5949/upo9781846313462.007
In the Line of Fire: Love and Violence in Mastretta and Belli (Chapter)
Thornton, N. (2007). In the Line of Fire: Love and Violence in Mastretta and Belli. In N. Thornton, & P. Kumaraswami (Eds.), Revolucionarias: Gender and Revolution in Latin America (pp. 217-237). Bern: Peter Lang.
Revolucionarias: Gender and Revolution in Latin America (Book)
Kumaraswami, P., & Thornton, N. (Eds.) (2007). Revolucionarias: Gender and Revolution in Latin America. Bern: Peter Lang.
Travelling Tales: Mobility and Transculturation in Contemporary Latin American Film (Journal article)
Thornton, N. (2007). Travelling Tales: Mobility and Transculturation in Contemporary Latin American Film. Film and Film Culture, 4, 31-40.
Where Cuba Meets Mexico: Alejo Carpentier and Elena Garro (Chapter)
Thornton, N. (2007). Where Cuba Meets Mexico: Alejo Carpentier and Elena Garro. In A. Pearson-Evans, & A. Leahy (Eds.), Intercultural Spaces: Language, Culture and Identity (pp. 257-273). Bern: Peter Lang.
2006
(Trans)gendered lines in conflict:: Jesusa in Elena!Poniatowska's '<i>Hasta no Verte Jesu's Mio</i>' (Journal article)
Thornton, N. (2006). (Trans)gendered lines in conflict:: Jesusa in Elena!Poniatowska's '<i>Hasta no Verte Jesu's Mio</i>'. BULLETIN OF HISPANIC STUDIES, 83(1), 87-101. doi:10.3828/bhs.83.1.7DOI: 10.3828/bhs.83.1.7
Women and the Novela de la Revolución in Mexico (Book)
Thornton, N. (2006). Women and the Novela de la Revolución in Mexico. New York and Lampeter: Edwin Mellen Press.
2003
Finding a Place in a Megalopolis: Mexico City in Amores perros (Journal article)
Thornton, N. (2003). Finding a Place in a Megalopolis: Mexico City in Amores perros. Film and Film Culture, 2, 43-50.
2002
Playing the Macho: Challenging Masculinities in Spanish Film (Journal article)
Thornton, N. (2002). Playing the Macho: Challenging Masculinities in Spanish Film. Film and Film Culture, 1, 95-104.
2000
Women Writing About Women and the Mexican Revolution (Chapter)
Thornton, N. (2000). Women Writing About Women and the Mexican Revolution. In N. Serrano (Ed.), Crossing Boundaries: Interdisciplinary Approaches to Latin America (pp. 232-245). Limerick: University of Limerick Press.
1998
Pulling Down the Walls. The Politics of Testimonio (Journal article)
Thornton, N. (1998). Pulling Down the Walls. The Politics of Testimonio. Ropes, 6, 60-64.
Undated
Thornton, N. (n.d.). Re-Framing Independence in Mexican Cinema: Marcela Fernández Violante a Pioneering Filmmaker. In D. Martin, & D. Shaw (Eds.), Latin American Women Filmmakers: Production, Politics, Poetics. IB Tauris.
Writing Cinema. The Communicating Vessels of Literature and Film (Chapter)
Thornton, N. (n.d.). Writing Cinema. The Communicating Vessels of Literature and Film. In I. Sanchez Prado, A. Nogar, & J. Ramón Ruisánchez (Eds.), Cambridge History of Mexican Literature. Cambridge.
