Mr Gary Needham

Communication and Media

    Publications

    2020

    ‘CRUISING IS A PICTURE WE SINCERELY WISH WE DID NOT HAVE TO SHOW’ United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980) (Chapter)

    Needham, G. (2020). ‘CRUISING IS A PICTURE WE SINCERELY WISH WE DID NOT HAVE TO SHOW’ United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980). In United Artists (pp. 192-210). Oxon: Routledge.

    The Next Step: Orion Pictures as the New United Artists (1978-1985) (Chapter)

    Tzioumakis, Y. (2020). The Next Step: Orion Pictures as the New United Artists (1978-1985). In P. Kramer, G. Needham, Y. Tzioumakis, & T. Balio (Eds.), United Artists (pp. 231-250). London: Routledge Hollywood Centenary Series.

    United Artists (Book)

    Krämer, P., Needham, G., Balio, T., & Tzioumakis, Y. (2020). United Artists.

    2019

    Purging the queer archive: Tumblr’s counterhegemonic pornographies (Journal article)

    Engelberg, J., & Needham, G. (2019). Purging the queer archive: Tumblr’s counterhegemonic pornographies. Porn Studies, 6(3), 350-354. doi:10.1080/23268743.2019.1623067

    DOI: 10.1080/23268743.2019.1623067

    2018

    Hollywood Trade: Midnight Cowboy (1969) and Underground Cinema (Chapter)

    Needham, G. W. (2018). Hollywood Trade: Midnight Cowboy (1969) and Underground Cinema. In The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era (pp. 129-148). Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/uk/the-hollywood-renaissance-9781501337871/

    2017

    'Not on Public Display': The Art/Porn Debate (Chapter)

    Needham, G. W. (2017). 'Not on Public Display': The Art/Porn Debate. In C. Smith, F. Attwood, & B. McNair (Eds.), The Routledge Companion to Media, Sex and Sexuality (pp. 163-173). Oxon and New York: Routledge.

    Factory Girl, Factory Films (Book)

    Needham, G. W. (n.d.). Factory Girl, Factory Films. New York: Bloomsbury.

    Editing (out) queer sex: Born to Raise Hell (1974) (Internet publication)

    Needham, G. W. (2017). Editing (out) queer sex: Born to Raise Hell (1974). Retrieved from https://screeningsex.wordpress.com/

    2016

    Journal of European Popular Culture (Edited special journal issue)

    Needham, G. W. (Ed.) (2016). Journal of European Popular Culture (Vol. 7). Intellect. Retrieved from https://www.intellectbooks.co.uk/journals/view-issue,id=3276/

    From A to E: Warhol’s Europe/Europe’s Warhol (Journal article)

    Needham, G. (2016). From A to E: Warhol’s Europe/Europe’s Warhol. Journal of European Popular Culture, 7(2), 103-106. doi:10.1386/jepc.7.2.103_2

    DOI: 10.1386/jepc.7.2.103_2

    Warhol and Nico: Negotiating Europe from Strip-Tease to Screen Test (Journal article)

    Needham, G. W. (2016). Warhol and Nico: Negotiating Europe from Strip-Tease to Screen Test. Journal of European Popular Culture, 7(2), 123-142. doi:10.1386/jepc.7.2.123_1

    DOI: 10.1386/jepc.7.2.123_1

    Reaganite Cinema: What a Feeling! (Chapter)

    Needham, G. W. (2016). Reaganite Cinema: What a Feeling!. In Y. Tzioumakis, & C. Molloy (Eds.), The Routledge Companion to Cinema and Politics (pp. 312-322). Oxon: Routledge.

    GIMP (Performance)

    Needham, G. W., & Duchow, A. (2016, April 22). GIMP [Performance/Installation/Physical Object]. Nottingham. Retrieved from http://www.amelieduchow.com/AMELIE%20DUCHOW%20audio%20-%20gimp.htm

    2015

    Publicity and pathos: Andy Warhol’s Marilyn Diptych (1962) in context (Journal article)

    Needham, G. (2015). Publicity and pathos: Andy Warhol’s Marilyn Diptych (1962) in context. Film, Fashion & Consumption, 4(2), 221-225. doi:10.1386/ffc.4.2-3.221_1

    DOI: 10.1386/ffc.4.2-3.221_1

    Warhol: My Hustler at 50 (Journal article)

    Needham, G. W. (2015). Warhol: My Hustler at 50. Wuxia, (3-4), 112-127. Retrieved from https://wuxiablog.com/3-4-2015-film-og-kuratering/

    The Fetish Moment (Performance)

    Needham, G. W. (2015, May 11). The Fetish Moment [Performance/Installation]. Florence National Library.

    Cruising: Another Way of Looking (Journal article)

    Needham, G. W. (2015). Cruising: Another Way of Looking. Wuxia, (1-2), 44-67.

    2014

    ‘What is Andy Warhol’s Exploding Plastic Inevitable’ [TATE LIVERPOOL] (Media)

    Needham, G. W., & Davis, G. (2014). ‘What is Andy Warhol’s Exploding Plastic Inevitable’ [TATE LIVERPOOL]. [internet]. Retrieved from http://www.tate.org.uk/

    Sound and Music in Hong Kong Cinema (Chapter)

    Needham, G. W. (2014). Sound and Music in Hong Kong Cinema. In Sound and Music in Film and Visual Media A Critical Overview. Bloomsbury Publishing USA.

    Digital Fashion Film (Chapter)

    Needham, G. W. (2014). Digital Fashion Film. In S. Bruzzi, & P. Church Gibson (Eds.), Fashion Cultures Revisited: Theories, Explorations and Analysis, 2nd Edition. Oxon: Routledge.

    Bringing out the Gimp: Fashioning the SM Imaginary (Journal article)

    Needham, G. (2014). Bringing out the Gimp: Fashioning the SM Imaginary. Fashion Theory, 18(2), 149-168. doi:10.2752/175174114X13890223974506

    DOI: 10.2752/175174114X13890223974506

    2013

    Warhol's LA (Exhibition)

    Needham, G. W. (2013, December 3). Warhol's LA [Exhibition]. Nottingham Contemporary.

    Heteros and Hustlers: Straightness and Dirtiness in Dirty Dancing (Chapter)

    Needham, G. W. (2013). Heteros and Hustlers: Straightness and Dirtiness in Dirty Dancing. In I. Tzioumakis, & S. Lincoln (Eds.), The Time of Our Lives: Dirty Dancing and Popular Culture (pp. 183-200). Detroit: Wayne State University Press.

    Warhol in Ten Takes (Book)

    Davis, G., & Needham, G. (2013). Warhol in Ten Takes. British Film Institute.

    Queer Korean Cinema (Chapter)

    Needham, G. W. (2013). Queer Korean Cinema. In Directory of World Cinema: South Korea. Bristol: Intellect.

    Bufferin Commercial (Chapter)

    Needham, G. W. (2013). Bufferin Commercial. In G. Needham, & G. Davis (Eds.), Warhol in Ten Takes (pp. 142-151). London: British Film Institute.

    2012

    Disco Sucks! Popular Music and Sex in the 1970s (Chapter)

    Needham, G. W. (2012). Disco Sucks! Popular Music and Sex in the 1970s. In X. Mendik (Ed.), Peep Shows: Cult Film and the Cine-Erotic (pp. 70-82). New York: Columbia University Press.

    Hong Kong Action Cinema (Chapter)

    Needham, G. W., & Bettinson, G. (2012). Hong Kong Action Cinema. In Directory of World Cinema: China. Bristol: Intellect.

    The Meaning of Messiness: The Shield and the Production of Television Style (Chapter)

    Needham, G. W. (2012). The Meaning of Messiness: The Shield and the Production of Television Style. In Interrogating The Shield. Syracuse University Press.

    2011

    Greek Cinema without Greece: Investigating Alternative Formations (Chapter)

    Needham, G. W. (2011). Greek Cinema without Greece: Investigating Alternative Formations. In I. Tzioumakis, & L. Papadimitriou (Eds.), Greek Cinema: Texts, Histories, Identities. Bristol: Intellect.

    TransAmerica: The Road to the Multiplex after New Queer Cinema (Chapter)

    Needham, G. W. (2011). TransAmerica: The Road to the Multiplex after New Queer Cinema. In H. Radner, & R. Stringer (Eds.), Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. New York: Routledge.

    2010

    Brokeback Mountain (Book)

    Needham, G. (2010). Brokeback Mountain.

    Delivery is King: Cable TV In the Digital Era (Chapter)

    Needham, G. W., & Woods, D. (2010). Delivery is King: Cable TV In the Digital Era. In P. Bantimaroudis (Ed.), Ta Psifiaka Mesa Enimerosis ston 21 Aiona [Digital Media in the 21st Century]. Athens: Kritiki.

    2009

    Closer than ever: French Cinema and the male body in close-up (Chapter)

    Needham, G. W. (2009). Closer than ever: French Cinema and the male body in close-up. In S. Fouz-Hernandez (Ed.), Mysterious Skin: The Male Body in Contemporary Cinema. I.B. Tauris.

    Queer(ying) Lost (Chapter)

    Needham, G. W., & Davis, G. (2009). Queer(ying) Lost. In R. Pearson (Ed.), Reading "Lost": Perspectives on a Hit Television Show. I.B. tauris.

    Scheduling Normativity: Television, The Family, and Queer Temporality (Chapter)

    Needham, G. W. (2009). Scheduling Normativity: Television, The Family, and Queer Temporality. In G. Needham, & G. Davis (Eds.), Queer TV: Theories, Histories, Politics. Oxon: Routledge.

    2008

    Queer TV Theories, Histories, Politics (Book)

    Davis, G., & Needham, G. (2008). Queer TV Theories, Histories, Politics. Routledge.

    Fashioning modernity: Hollywood and the Hong Kong Musical 1957-1964 (Chapter)

    Needham, G. W. (2008). Fashioning modernity: Hollywood and the Hong Kong Musical 1957-1964. In L. Hunt, & W. Leung (Eds.), East Asian Cinemas: Exploring Transnational Connections on Film. I.B. Tauris.

    2007

    Playing with Genre: An Introduction to the Italian giallo (Chapter)

    Needham, G. W. (2007). Playing with Genre: An Introduction to the Italian giallo. In X. Mendik, & E. Mathijs (Eds.), The Cult Film Reader. McGraw-Hill.

    All That Diaspora Allows: Film Between Queer and Diaspora (Chapter)

    Needham, G. W. (2007). All That Diaspora Allows: Film Between Queer and Diaspora. In O. Bailey, & M. Georgiou (Eds.), Transnational Lives and the Media: Re-Imagining Diasporas. Palgrave.

    2006

    Asian Cinemas A Reader And Guide (Book)

    Eleftheriotis, D., & Needham, G. (2006). Asian Cinemas A Reader And Guide. University of Hawaii Press.

    Ozu and the Colonial Encounter in Hou Hsiao-hsien (Chapter)

    Needham, G. W. (2006). Ozu and the Colonial Encounter in Hou Hsiao-hsien. In G. Needham, & D. Eleftheriotis (Eds.), Asian Cinemas: A Reader and Guide. Edinburgh: Edinburgh University Press.

    2004

    Lalitha Gopolan, Cinema of Interruptions: Action Genres in Indian Cinema, British Film Institute (Book Review)

    Needham, G. W. (2004). Lalitha Gopolan, Cinema of Interruptions: Action Genres in Indian Cinema, British Film Institute. Screen (Oxford), 45(2).