2022
Mahoney, C. (2022). History and Place in Television Drama: Liverpool in Cilia and Boys From the Blackstuff. CRITICAL STUDIES IN TELEVISION, 17(4), 397-414. doi:10.1177/17496020221110362DOI: 10.1177/17496020221110362
Mahoney, C. (n.d.). Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram. Feminist Media Studies, 1-17. doi:10.1080/14680777.2020.1810732DOI: 10.1080/14680777.2020.1810732
Mahoney, C. (2023). Pain Generation, Social Media Feminist Activism, and the Neoliberal Selfie. TELEVISION & NEW MEDIA, 24(3), 356-358. doi:10.1177/15274764221098066DOI: 10.1177/15274764221098066
2021
Mahoney, C. (2021). 'We will meet again': Mobilising prosthetic memories of the Second World War during the UK Covid-19 Lockdown. In Covid-19, the Second World War, and the Idea of Britishness (pp. 247-269).
2019
Women in Neoliberal Postfeminist Television Drama Representing Gendered Experiences of the Second World War (Book)
Mahoney, C. (2019). Women in Neoliberal Postfeminist Television Drama Representing Gendered Experiences of the Second World War. Palgrave Pivot. doi:10.1007/978-3-030-30449-2DOI: 10.1007/978-3-030-30449-2
2017
The Women's Land Army Remembered on British Television (Chapter)
Mahoney, C. (2017). The Women's Land Army Remembered on British Television. In J. Boyce Kay, C. Mahoney, & C. Shaw (Eds.), The Past in Visual Culture: Essays on Memory, Nostalgia and the Media (pp. 46-63). Jefferson: McFarland. Retrieved from https://mcfarlandbooks.com/product/the-past-in-visual-culture/
2016
The Past in Visual Culture Essays on Memory, Nostalgia and the Media (Book)
Kay, J. B., Mahoney, C., & Shaw, C. (2016). The Past in Visual Culture Essays on Memory, Nostalgia and the Media. McFarland.
2015
Mahoney, C. (n.d.). ‘Not Bad for a Few Ordinary Girls in a Tin Hut’ - Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama.. Frames Cinema Journal. Retrieved from https://framescinemajournal.com/
