Start Date
2 October & 9 October, 2025
There will be 2 weekly meetings on Thursday, 1 - 3pm, starting from 2 October
Overview
Bjorn Again, The Bootleg Beatles, The Counterfeit Stones and Fake That are among the growing number of tribute bands currently in circulation. Although music tributes play a major role in the entertainment industry, little serious research has been published on the subject. This course explores the historical evolution of tribute entertainment, looking at some earlier examples such as ‘ghost’, cover and parody bands. We will consider why tribute artists are so popular and how developments in technology have aided their creation. Critical opinions on the merits of tribute acts will be discussed to see why they are loved or hated. The course offers an opportunity to gain deeper insight into the fascinating world of those who dedicate their lives to recreating the music and identity of famous artists and their fans.
Syllabus
The course aims to introduce students to the subject of tribute entertainment, placing it in a wider historical context to show how it relates to and builds on earlier developments. It will enable students to consider the merits of this form of entertainment and the response of critics, fans and the original artists.
Week 1 (2/10/25)The historical context.
Week 2 (9/10/25) Critics, artists, fans.
Please note that the ‘last date available to book’ date is only a guide. We reserve the right to close bookings earlier.
In order to avoid disappointment, please be sure enrol as soon as possible. Registrations will not be processed until the following day if received after 3pm.
Course Lecturer: Georgina Gregory
Georgina Gregory has a background in media and cultural studies with a particular focus on popular music studies and art and design history. She has many years of experience designing and delivering courses at various universities including UCLAN, Salford, Staffordshire and Manchester Metropolitan. Georgina's publications include "Send in the Clones: A Cultural Study of the Tribute Band" (2012), "Boy Bands and the Performance of Pop Masculinity" (2019), "Exploring the Spiritual in Popular Music: Beatified Beats"(2021).
Courses fees: Full fee £35.
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