2022
Operatic Adaptations and the Representation of Non-normative Sexualities (Chapter)
Jarman, F. L. (n.d.). Operatic Adaptations and the Representation of Non-normative Sexualities. In Oxford Handbook of Music and Queerness. New York: Oxford University Press. doi:10.1093/oxfordhb/9780199793525.013.55DOI: 10.1093/oxfordhb/9780199793525.013.55
2020
Jarman, F. (2020). Vocal music. In T. McAuley, N. Nielsen, & J. Levinson (Eds.), Oxford Handbook of Western Music and Philosophy. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780199367313.013.31DOI: 10.1093/oxfordhb/9780199367313.013.31
2019
"Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul (Chapter)
Jarman, F. L., & Baker, E. (2019). "Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul. In S. Fast, & C. Jennex (Eds.), Popular Music and the Politics of Hope: Queer and Feminist Interventions. Routledge. Retrieved from https://www.routledge.com/
Jarman, F. L., & Baker, E. (2019). “Round my Hometown”: Listening to London in the Racial Politics of Post-Millennial British Soul. In S. Fast, & C. Jennex (Eds.), Popular Music and the Politics of Hope: Queer and Feminist Interventions (pp. 105-122). New York: Routledge. Retrieved from https://www.routledge.com/
2018
Watch my lips: the limits of camp in lip-syncing scenes (Chapter)
Jarman, F. L. (2018). Watch my lips: the limits of camp in lip-syncing scenes. In C. Moore, & P. Purvis (Eds.), Music and Camp (pp. 95-117). Middletown, CT: Wesleyan University Press.
2017
Soundtrack to a Stabbing: What Rob’s Choice of Music over Dinner Tells us about Why he Ended up Spilling the Custard (Chapter)
Baker, E., & Jarman, F. (2017). Soundtrack to a Stabbing: What Rob’s Choice of Music over Dinner Tells us about Why he Ended up Spilling the Custard. In Custard, Culverts and Cake (pp. 385-403). Emerald Publishing Limited. doi:10.1108/978-1-78743-285-720171031DOI: 10.1108/978-1-78743-285-720171031
Introduction: Re-invention? Madonna's drowned worlds resurface (Book)
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Introduction: Re-invention? Madonna's drowned worlds resurface (Book)
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Introduction: Re-invention? Madonna's drowned worlds resurface (Book)
Fouz-Hernández, S., & Jarman-Ivens, F. (2017). Introduction: Re-invention? Madonna's drowned worlds resurface.
Madonna's Drowned Worlds (Book)
Fouz-Hernandez, S. (n.d.). Madonna's Drowned Worlds. S. Fouz-HernáNdez, & F. Jarman-Ivens (Eds.), Routledge. doi:10.4324/9781315091587DOI: 10.4324/9781315091587
What it feels like for two girls: Madonna's play with lesbian (sub-)cultures (Chapter)
Jarman-Ivens, F. (2017). What it feels like for two girls: Madonna's play with lesbian (sub-)cultures. In Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003 (pp. 69-87).
High notes, high drama: musical climaxes and gender politics in tenor heroes and Broadway women (Chapter)
Jarman, F. L. (2017). High notes, high drama: musical climaxes and gender politics in tenor heroes and Broadway women. In S. Hawkins (Ed.), Routledge Research Companion to Music and Gender (pp. 137-151). New York: Routledge. Retrieved from https://www.routledge.com/
2016
Game and play in music video games (Chapter)
Jarman, F. L., & Kassabian, A. (2016). Game and play in music video games. In M. Kamp, M. Sweeney, & T. Summers (Eds.), Ludomusicology: Approaches to Video Game Music. Sheffield: Equinox.
Jarman, F. (2016). Teaching music analysis to first-year undergraduates with radical subject-specific diversity. El oído pensante.
2013
Queering the Popular Pitch (Chapter)
Whiteley, S., & Rycenga, J. (Eds.) (n.d.). Queering the Popular Pitch. In . Routledge. doi:10.4324/9780203036266DOI: 10.4324/9780203036266
Masculinity in Opera (Chapter)
Purvis, P. (Ed.) (n.d.). Masculinity in Opera. In . Routledge. doi:10.4324/9780203082928DOI: 10.4324/9780203082928
Notes on musical camp (Chapter)
Jarman-Ivens, F. (2013). Notes on musical camp. In The Ashgate Research Companion to Popular Musicology (pp. 189-203).
Relax, Feel Good, Chillout: Distributing Classical Music for Affect (Chapter)
Jarman, F. (2013). Relax, Feel Good, Chillout: Distributing Classical Music for Affect. In M. Thompson, & I. Biddle (Eds.), Sound, Music, Affect: Theorizing Sonic Experience. London and New York: Bloomsbury Academic.
2012
Ashley, J., Jarman, F., Varga-Atkins, T., & Hassan, N. (n.d.). Learning Literacies through collaborative enquiry;. Journal of Information Literacy, 6(1). doi:10.11645/6.1.1655DOI: 10.11645/6.1.1655
Masculinity and western musical practice (Journal article)
Biddle, I., & Gibson, K. (2012). Masculinity and western musical practice. Unknown Journal, 1.
2011
Coda: To Queer Or Not to Queer? (Chapter)
Jarman-Ivens, F. (2011). Coda: To Queer Or Not to Queer?. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 161-163). Retrieved from https://www.webofscience.com/
Diamanda Galas: One Long Mad Scene (Chapter)
Jarman-Ivens, F. (2011). Diamanda Galas: One Long Mad Scene. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 127-+). Retrieved from https://www.webofscience.com/
Identification: We Go to the Opera to Eat Voice (Chapter)
Jarman-Ivens, F. (2011). Identification: We Go to the Opera to Eat Voice. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 25-+). Retrieved from https://www.webofscience.com/
Introduction: Voice, Queer, Technologies (Chapter)
Jarman-Ivens, F. (2011). Introduction: Voice, Queer, Technologies. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 1-+). Retrieved from https://www.webofscience.com/
Karen Carpenter: America's Most Defiant Square (Chapter)
Jarman-Ivens, F. (2011). Karen Carpenter: America's Most Defiant Square. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 59-+). Retrieved from https://www.webofscience.com/
Maria Callas: Great Interpreter; Dysfunctional Vocalist (Chapter)
Jarman-Ivens, F. (2011). Maria Callas: Great Interpreter; Dysfunctional Vocalist. In QUEER VOICES: TECHNOLOGIES, VOCALITIES, AND THE MUSICAL FLAW (pp. 95-+). Retrieved from https://www.webofscience.com/
Queer Voices (Book)
Jarman-Ivens, F. (2011). Queer Voices. Palgrave Macmillan US. doi:10.1057/9780230119550DOI: 10.1057/9780230119550
Queer Voices: Technologies, Vocalities and the Musical Flaw (Book)
Jarman-Ivens, F. (2011). Queer Voices: Technologies, Vocalities and the Musical Flaw. P. Clough, & D. Egan (Eds.), New York: Palgrave Macmillan.
2010
Notes on musical camp (Chapter)
Jarman-Ivens, F. (2010). Notes on musical camp. In The Ashgate Research Companion to Popular Musicology (pp. 189-203).
I feel a song coming on: vocal identification processes across musics and identities (Journal article)
Jarman, F. (2010). I feel a song coming on: vocal identification processes across musics and identities. Anglistica. Retrieved from http://www.anglistica.unior.it/content/music-and-performance-identity
2008
The musical underbelly of Christmas (Chapter)
Jarman-Ivens, F. (2008). The musical underbelly of Christmas. In S. Whiteley (Ed.), Christmas, Ideology, and Popular Culture (pp. xxx). Edinburgh: Edinburgh University Press.
2007
Oh Boy! Masculinities and Popular Music (Book)
Jarman-Ivens, F. (Ed.) (2007). Oh Boy! Masculinities and Popular Music. London/New York: Routledge.
You're not really t/here: authorship, nostalgia, and the absent 'Superstar' (Journal article)
Jarman-Ivens, F. (2007). You're not really t/here: authorship, nostalgia, and the absent 'Superstar'. Popular Musicology Online. Retrieved from http://www.popular-musicology-online.com/issues/05/jarman-ivens-01.html
2006
Breaking Voices: Voice, Subjectivity and Fragmentation in Popular Music (Thesis / Dissertation)
Jarman-Ivens, F. (2006). Breaking Voices: Voice, Subjectivity and Fragmentation in Popular Music. (PhD Thesis, The University of Newcastle-upon-Tyne).
Queer(ing) masculinities in heterosexist rap music (Chapter)
Jarman-Ivens, F. (2006). Queer(ing) masculinities in heterosexist rap music. In J. Rycenga, & S. Whiteley (Eds.), Queering the Popular Pitch (pp. 20). London/New York: Routledge.
2004
Madonna's Drowned Worlds: New Approaches to her Subcultural Transformations, 1983-2003 (Book)
Fouz-Hernández, S., & Jarman-Ivens, F. (Eds.) (2004). Madonna's Drowned Worlds: New Approaches to her Subcultural Transformations, 1983-2003. Aldershot: Ashgate.
What it feels like for two girls: Madonna's play with lesbian (sub-)cultures (Chapter)
Jarman-Ivens, F. (2004). What it feels like for two girls: Madonna's play with lesbian (sub-)cultures. In S. Fouz-Hernández, & F. Jarman-Ivens (Eds.), Madonna's Drowned Worlds: New Approaches to her Subcultural Transformations, 1983-2003 (pp. 18). Aldershot: Ashgate.
