Module Details |
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module. |
Title | INTRODUCTION TO SOUND RECORDING AND PRODUCTION | ||
Code | MUSI108 | ||
Coordinator |
Mr JA Holmes Music John.Holmes@liverpool.ac.uk |
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Year | CATS Level | Semester | CATS Value |
Session 2023-24 | Level 4 FHEQ | Second Semester | 15 |
Aims |
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To introduce students to a variety of recording and production techniques in a professional studio. |
Learning Outcomes |
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(LO1) An ability to record a song or instrumental in Pro Tools HD using the appropriate recording and production techniques demonstrated in class. |
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(LO2) An ability to edit and mix a song in Pro Tools HD using appropriate effects and plugins to a standard suitable for public broadcast. |
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(LO3) An ability to explain, justify and reflect on recording and production techniques used in the recording studio. |
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(LO4) An ability to explain, justify and reflect on the mixing techniques and effects used in the recording studio. |
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(LO5) An ability to successfully work, cooperate and present within a group. |
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(S1) Working in groups and teams - Group action planning |
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(S2) Organisational skills |
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(S3) Communication (oral, written and visual) - Following instructions/protocols/procedures |
Syllabus |
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Studio Orientation |
Teaching and Learning Strategies |
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Teaching Method 1 - Lecture Teaching Method 2 - Workshop Self-directed learning: The use of the hardware equipment and software for music production requires practice and some experimentation before it can be used competently. Students are expected to book the studio and use the Mac suites to practice the production techniques (in groups or individually) that will be needed for completion of coursework. Additionally, students should, over the course of their entire studies, aim to develop and perfect their own production style, through self-directed practice. |
Teaching Schedule |
Lectures | Seminars | Tutorials | Lab Practicals | Fieldwork Placement | Other | TOTAL | |
Study Hours |
18 |
6 24 18 |
66 | ||||
Timetable (if known) | |||||||
Private Study | 84 | ||||||
TOTAL HOURS | 150 |
Assessment |
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EXAM | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
CONTINUOUS | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
Coursework 2 - Production Project Description - In their seminar groups, students complete is song recording. The instruments are recorded to separate tracks using single and multiple mixing techniqu | 0 | 60 | ||||
Coursework 1 - Mixing Description - Students are asked to mix a pre-recorded multitrack session. There is a resit opportunity. Standard UoL penalty applies for late submission. This is an anony | 0 | 40 |
Recommended Texts |
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Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module. |