Module Details |
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module. |
Title | MUSIC POLICY | ||
Code | MUSI352 | ||
Coordinator |
Professor S Cohen Music Sara@liverpool.ac.uk |
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Year | CATS Level | Semester | CATS Value |
Session 2022-23 | Level 6 FHEQ | First Semester | 15 |
Aims |
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To examine a wide range of government policies influencing the production and consumption of music. To situate the relationship between music and policy within local, national and international and historical contexts. To compare approaches to music and policy involving different types of government. To consider different approaches to the study of music policy and how it might be conceptualised and understood. |
Learning Outcomes |
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(LO1) Students will gain a deeper understanding of the impact of government policy on music and musical cultures and identities. |
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(LO2) Students will gain a greater knowledge of varying approaches and attitudes to music from government bodies with contrasting political and cultural roles and relationships. |
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(LO3) Students will gain a familiarisation with scholarly literature on music policy and how to apply some of the concepts and theories involved to particular case study. |
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(LO4) Students will gain a critical perspectives on key concepts issues and debates related to the study of music policy and how they could be applied to particular case studies. |
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(S1) Organisational skills. |
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(S2) Communication skills. |
Syllabus |
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The module will explore the relationship between music and government policy from different perspectives and through a broad and diverse range of case studies. They will include studies illustrating different kinds of governments (including dictatorships as well as democratically elected bodies); various music genres and styles; and a broad and diverse range of policies (e.g. social, cultural, economic and fiscal policies, and those relating to the arts, education, regulation and the law, the environment, broadcasting the media). Among them will be case studies illustrating policies aimed at using music to create national identity or to regenerate cities and urban areas; at the censorship and repression of music and musicians; or at the promotion and protection of musical traditions and industries. |
Teaching and Learning Strategies |
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Teaching Method 1 - Lecture Description: Lectures introduce core concepts and material Teaching Method 2 - Seminar Description: discussion on key readings and debates |
Teaching Schedule |
Lectures | Seminars | Tutorials | Lab Practicals | Fieldwork Placement | Other | TOTAL | |
Study Hours |
24 |
12 |
24 24 |
84 | |||
Timetable (if known) | |||||||
Private Study | 66 | ||||||
TOTAL HOURS | 150 |
Assessment |
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EXAM | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
CONTINUOUS | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
Essay There is a resit opportunity. Standard UoL penalty applies for late submission. This is an anonymous assessment. Assessment Schedule (When): Semester 1 | 0 | 85 | ||||
Critical Reflection There is a resit opportunity. Standard UoL penalty applies for late submission. This is an anonymous assessment. Assessment Schedule (When): Semester 1 | 0 | 15 |
Recommended Texts |
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Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module. |