Module Details
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module.
Title MIXED MEDIA COMPOSITION
Code MUSI308
Coordinator Dr OS Carman
Music
Oliver.Carman@liverpool.ac.uk
Year CATS Level Semester CATS Value
Session 2022-23 Level 6 FHEQ First Semester 15

Aims

To introduce students to a composition for mixed media.
To enable students to use third party software alongside a DAW.

To introduce the students to non-linear sound organisation..
To develop the students’ knowledge of synthesis techniques.

Learning Outcomes

(LO1) Demonstrate understanding of modular synthesis techniques.

(LO2) An ability demonstrate an understanding of linear and non-linear approaches to sound generation and organisation.

(LO3) An ability to use VCV Rack in combination with a DAW.

(LO4) An ability to use some advanced synthesis techniques.

(LO5) An ability to successfully compose using a mixed media approach.

(S1) Working independently.

(S2) Organisational skills.

(S3) Communication (oral, written and visual) - Following instructions/protocols/procedures.

Syllabus
 

What is modular synthesis?

Generative music.

Integrating sound and moving in audio-visual composition.
Modular synthesis techniques
Granular synthesis techniques

FM synthesis techniques

Teaching and Learning Strategies

Teaching Method 1 - Lecture
Description: (90mins x12) Lectures are held in the computer labs in the department of Music. The lectures provide instruction and hands-on practice in:
Use of modular synthesis software such as Racks
Granular synthesis options in Max, Ableton and Logic
Students will be introduced to examples of visual music, installation art and projected AV pieces.
Attendance recorded: Yes
Notes: The lectures focus on practical techniques needed for working with modular synthesis, and also for composing using video and sound. There will be hands-on practice as well as discussion of existing works and related aesthetic ideas.

Self-directed learning: As well as reading around topics of visual music and video art, students will be required to go out and record video and capture sound for their projects. They will also need to practice synthesis and patch editing techniques to develop their skills. The majority of time spent editing and composin g will be done outside the normal lecture and workshop hours.

The majority of teaching will be delivered face to face on campus. Online delivery will be used to complement the on campus delivery and where technology affords a better learning experience.

Teaching Schedule
  Lectures Seminars Tutorials Lab Practicals Fieldwork Placement Other TOTAL
Study Hours 18

   .5

       18.5
Timetable (if known) 90 mins X 1 totaling 18
  		  30 mins X 1 totaling 0.5
  		       
Private Study 131.5
TOTAL HOURS 150

Assessment
EXAM Duration Timing
(Semester)		 % of
final
mark		 Resit/resubmission
opportunity		 Penalty for late
submission		 Notes
             
CONTINUOUS Duration Timing
(Semester)		 % of
final
mark		 Resit/resubmission
opportunity		 Penalty for late
submission		 Notes
Assessment 1 - Short composition Description: Students are asked compose a piece using modular synthesis techniques. There is a resit opportunity. Standard UoL penalty applies for late submissio  0    50       
Assessment 2 - Composition Project 2 Description: Student will composition a video and sound piece that will take advantage of and demonstrate some advanced synthesis techniques. There is a resit op  0    50       

Recommended Texts
Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module.