2023
Get In and Get Out: White Racial Transformation and the US Gothic Imagination (Journal article)
Murray, H. L. (n.d.). Get In and Get Out: White Racial Transformation and the US Gothic Imagination. Humanities, 12(6), 129. doi:10.3390/h12060129DOI: 10.3390/h12060129
Murray, H. (2023). 'Who the Hell is Edgar' – a viral Eurovision song about Edgar Allan Poe evokes a strange history of mediums and creative possession. Retrieved from https://theconversation.com/
Confusion (Chapter)
Murray, H. L. (2023). Confusion. In The Affects of Pedagogy in Literary Studies (pp. 61-71). Routledge. doi:10.4324/9781003092988-5DOI: 10.4324/9781003092988-5
2022
6 White/Not-White: Robert Montgomery Bird’s Racial Transformations, 1839 (Chapter)
Murray, H. L. (2022). 6 White/Not-White: Robert Montgomery Bird’s Racial Transformations, 1839. In Crossings in Nineteenth-Century American Culture (pp. 88-100). Edinburgh University Press. doi:10.1515/9781474476300-009DOI: 10.1515/9781474476300-009
Spiritualism in
<i>Pierre;</i> (Chapter)
Murray, H. L. (2022). Spiritualism in <i>Pierre;</i>. In Unknown Book (pp. 102-112). Wiley. doi:10.1002/9781119668565.ch8DOI: 10.1002/9781119668565.ch8
Murray, H. L. (2022). WHITE/NOT-WHITE: ROBERT MONTGOMERY BIRD'S RACIAL TRANSFORMATIONS, 1839. In CROSSINGS IN NINETEENTH-CENTURY AMERICAN CULTURE (pp. 88-100). Retrieved from https://www.webofscience.com/
Murray, H. L. (2022). “A respectable narrative”: The Viral Load in “Mr. Higginbotham’s Catastrophe”. Nathaniel Hawthorne Review, 48(1), 50-66. doi:10.5325/nathhawtrevi.48.1.0050DOI: 10.5325/nathhawtrevi.48.1.0050
Murray, H. L. (2022). Critical Whiteness Studies and Teaching Nineteenth-Century American Literature. ENGLISH, 70(271), 333-339. doi:10.1093/english/efac003DOI: 10.1093/english/efac003
2021
1 ‘A SHRIEK SO TERRIBLE!’: CHARLES BROCKDEN BROWN’S SENSATIONAL VENTRILOQUISTS (Chapter)
1 ‘A SHRIEK SO TERRIBLE!’: CHARLES BROCKDEN BROWN’S SENSATIONAL VENTRILOQUISTS (2021). In Liminal Whiteness in Early US Fiction (pp. 21-46). Edinburgh University Press. doi:10.1515/9781474481755-004DOI: 10.1515/9781474481755-004
2 ‘THIS IS A STORY-TELLING AGE’: SPECTRAL NOSTALGIA IN BRACEBRIDGE HALL (Chapter)
2 ‘THIS IS A STORY-TELLING AGE’: SPECTRAL NOSTALGIA IN BRACEBRIDGE HALL (2021). In Liminal Whiteness in Early US Fiction (pp. 47-70). Edinburgh University Press. doi:10.1515/9781474481755-005DOI: 10.1515/9781474481755-005
3 ‘WHAT HAD BECOME OF ME?’: SHEPPARD LEE’S BLACKFACE TRANSFORMATION (Chapter)
3 ‘WHAT HAD BECOME OF ME?’: SHEPPARD LEE’S BLACKFACE TRANSFORMATION (2021). In Liminal Whiteness in Early US Fiction (pp. 71-96). Edinburgh University Press. doi:10.1515/9781474481755-006DOI: 10.1515/9781474481755-006
4 ‘I SAY TO YOU THAT I AM DEAD!’: EDGAR ALLAN POE’S PROTESTING CADAVERS (Chapter)
4 ‘I SAY TO YOU THAT I AM DEAD!’: EDGAR ALLAN POE’S PROTESTING CADAVERS (2021). In Liminal Whiteness in Early US Fiction (pp. 97-120). Edinburgh University Press. doi:10.1515/9781474481755-007DOI: 10.1515/9781474481755-007
5 ‘HOW CAN I SPEAK TO THEE?’: HERMAN MELVILLE’S MUTED VOICE (Chapter)
5 ‘HOW CAN I SPEAK TO THEE?’: HERMAN MELVILLE’S MUTED VOICE (2021). In Liminal Whiteness in Early US Fiction (pp. 121-148). Edinburgh University Press. doi:10.1515/9781474481755-008DOI: 10.1515/9781474481755-008
6 ‘I’M MAKING A WHITE MAN OF HIM’: MAKING AND BREAKING WHITENESS IN THE GARIES AND THEIR FRIENDS (Chapter)
6 ‘I’M MAKING A WHITE MAN OF HIM’: MAKING AND BREAKING WHITENESS IN THE GARIES AND THEIR FRIENDS (2021). In Liminal Whiteness in Early US Fiction (pp. 149-174). Edinburgh University Press. doi:10.1515/9781474481755-009DOI: 10.1515/9781474481755-009
A NOTE ON LANGUAGE (Chapter)
A NOTE ON LANGUAGE (2021). In Liminal Whiteness in Early US Fiction (pp. viii). Edinburgh University Press. doi:10.1515/9781474481755-002DOI: 10.1515/9781474481755-002
BIBLIOGRAPHY (Chapter)
BIBLIOGRAPHY (2021). In Liminal Whiteness in Early US Fiction (pp. 183-200). Edinburgh University Press. doi:10.1515/9781474481755-011DOI: 10.1515/9781474481755-011
CODA: THE RESURRECTION OF WHITENESS (Chapter)
CODA: THE RESURRECTION OF WHITENESS (2021). In Liminal Whiteness in Early US Fiction (pp. 175-182). Edinburgh University Press. doi:10.1515/9781474481755-010DOI: 10.1515/9781474481755-010
Coda: The Resurrection of Whiteness (Chapter)
Murray, H. L. (2021). Coda: The Resurrection of Whiteness. In Liminal Whiteness in Early US Fiction (pp. 175-182). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0008DOI: 10.3366/edinburgh/9781474481731.003.0008
INTRODUCTION: INEXPLICABLE VOICES – LIMINAL WHITENESS IN THE EARLY UNITED STATES (Chapter)
INTRODUCTION: INEXPLICABLE VOICES – LIMINAL WHITENESS IN THE EARLY UNITED STATES (2021). In Liminal Whiteness in Early US Fiction (pp. 1-20). Edinburgh University Press. doi:10.1515/9781474481755-003DOI: 10.1515/9781474481755-003
Introduction: Inexplicable Voices – Liminal Whiteness in the Early United States (Chapter)
Murray, H. L. (2021). Introduction: Inexplicable Voices – Liminal Whiteness in the Early United States. In Liminal Whiteness in Early US Fiction (pp. 1-20). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0001DOI: 10.3366/edinburgh/9781474481731.003.0001
‘A shriek so terrible!’: Charles Brockden Brown’s Sensational Ventriloquists (Chapter)
Murray, H. L. (2021). ‘A shriek so terrible!’: Charles Brockden Brown’s Sensational Ventriloquists. In Liminal Whiteness in Early US Fiction (pp. 21-46). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0002DOI: 10.3366/edinburgh/9781474481731.003.0002
‘How can I speak to thee?’: Herman Melville’s Muted Voice (Chapter)
Murray, H. L. (2021). ‘How can I speak to thee?’: Herman Melville’s Muted Voice. In Liminal Whiteness in Early US Fiction (pp. 121-148). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0006DOI: 10.3366/edinburgh/9781474481731.003.0006
‘I say to you that I am dead!’: Edgar Allan Poe’s Protesting Cadavers (Chapter)
Murray, H. L. (2021). ‘I say to you that I am dead!’: Edgar Allan Poe’s Protesting Cadavers. In Liminal Whiteness in Early US Fiction (pp. 97-120). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0005DOI: 10.3366/edinburgh/9781474481731.003.0005
‘I’m making a white man of him’: Making and Breaking Whiteness in The Garies and their Friends (Chapter)
Murray, H. L. (2021). ‘I’m making a white man of him’: Making and Breaking Whiteness in The Garies and their Friends. In Liminal Whiteness in Early US Fiction (pp. 149-174). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0007DOI: 10.3366/edinburgh/9781474481731.003.0007
‘This is a story-telling age’: Spectral Nostalgia in Bracebridge Hall (Chapter)
Murray, H. L. (2021). ‘This is a story-telling age’: Spectral Nostalgia in Bracebridge Hall. In Liminal Whiteness in Early US Fiction (pp. 47-70). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0003DOI: 10.3366/edinburgh/9781474481731.003.0003
‘What had become of me?’: Sheppard Lee’s Blackface Transformation (Chapter)
Murray, H. L. (2021). ‘What had become of me?’: Sheppard Lee’s Blackface Transformation. In Liminal Whiteness in Early US Fiction (pp. 71-96). Edinburgh University Press. doi:10.3366/edinburgh/9781474481731.003.0004DOI: 10.3366/edinburgh/9781474481731.003.0004
Murray, H. (2021). Liminal Whiteness in Early US Fiction. Edinburgh: Edinburgh University Press.
2020
Murray, H. (2020). Who is this for? A review of the Reclaim Her Name Publishing Project. Retrieved from https://legacywomenwriters.org/2020/10/28/who-is-this-for/
Murray, H. (2020). Reading Utopia in 2020. The Eighteenth Century: Theory and Interpretation, 61(5).
Murray, H. L. (2020). Credulity: A Cultural History of US Mesmerism. JOURNAL OF AMERICAN STUDIES, 54(4), 816-819. Retrieved from https://www.webofscience.com/
2019
Brown Studies Now and in Transition (Chapter)
Murray, H. L. (2019). Brown Studies Now and in Transition. In P. Barnard, H. Emmett, & S. Shapiro (Eds.), The Oxford Handbook of Charles Brockden Brown (pp. 556-570). Oxford; New York: Oxford University Press.
2017
"I say to you that I am dead!": Medical Experiment and the Limits of Personhood in Edgar Allan Poe's 'The Facts in the Case of M. Valdemar' (1845)' (Journal article)
Murray, H. L. (2017). "I say to you that I am dead!": Medical Experiment and the Limits of Personhood in Edgar Allan Poe's 'The Facts in the Case of M. Valdemar' (1845)'. The Irish Journal of Gothic and Horror Studies, 16, 22-40. Retrieved from https://irishgothichorror.files.wordpress.com/2018/03/isay.pdf
MURRAY, H. L., COGHLAN, J. M., PALMER, S., WRIGHT, T. F., & BLUM, H. (2017). Roundtable - Hester Blum (ed.), Turns of Event: Nineteenth-Century American Literary Studies in Motion (Philadelphia: University of Pennsylvania Press, 2016, £18.91). Pp. 224. <scp>isbn</scp> 978 0 8122 4798 5.. Journal of American Studies, 51(3), 981-994. doi:10.1017/s002187581700055xDOI: 10.1017/s002187581700055x
Murray, H. L., & Cobb, T. (Eds.) (n.d.). 49th Parallel : an Interdisciplinary Journal of North America (Vol. -). University of Birmingham.
